Journal | Il Tolomeo
Journal issue | 19 | 2017
Research Article | Shakespeare’s Other Eden
Abstract
Among Shakespeare’s History Plays, Richard II is arguably the less known and less produced. For a long time, the fall of the anointed king was shown to English audiences with the interesting omission of the abdication scene (Act IV), while in Ireland the play has long been taken to be a tragic reminder of the Island’s colonial past. It is arguably for this reason that there is a significant lack of professional productions of Richard II in Ireland, and equally there is a significant lack of critical attention to its fate on the Irish stage. However, in recent years, attempts have been made to re-appropriate a canonical text whose plot lends itself to reflections on history and the past, and to the place of man in relation to both. One such instance is a production of Shakespeare’s play presented by the Dublin-based Ouroboros Theatre Company. This study looks at the way in which Ouroboros relocates the story of King Richard II in Ireland, using the source play creatively to travel across a century of Irish history and reflect upon the making of the country that it is today.
Submitted: July 16, 2017 | Accepted: Sept. 15, 2017 | Published Dec. 21, 2017 | Language: en
Keywords Ouroboros • Shakespeare our contemporary • Irish theatre • History • Richard II
Copyright © 2017 Loredana Salis. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2499-5975/Tol-19-17-15
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DC Field | Value |
---|---|
dc.identifier |
ECF_article_1061 |
dc.title |
Shakespeare’s Other Eden. Richard II by Ouroboros Theatre Company (2013) |
dc.contributor.author |
Salis Loredana |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/il-tolomeo/2017/1/shakespeares-other-eden/ |
dc.description.abstract |
Among Shakespeare’s History Plays, Richard II is arguably the less known and less produced. For a long time, the fall of the anointed king was shown to English audiences with the interesting omission of the abdication scene (Act IV), while in Ireland the play has long been taken to be a tragic reminder of the Island’s colonial past. It is arguably for this reason that there is a significant lack of professional productions of Richard II in Ireland, and equally there is a significant lack of critical attention to its fate on the Irish stage. However, in recent years, attempts have been made to re-appropriate a canonical text whose plot lends itself to reflections on history and the past, and to the place of man in relation to both. One such instance is a production of Shakespeare’s play presented by the Dublin-based Ouroboros Theatre Company. This study looks at the way in which Ouroboros relocates the story of King Richard II in Ireland, using the source play creatively to travel across a century of Irish history and reflect upon the making of the country that it is today. |
dc.relation.ispartof |
Il Tolomeo |
dc.relation.ispartof |
Vol. 19 | December 2017 |
dc.issued |
2017-12-21 |
dc.dateAccepted |
2017-09-15 |
dc.dateSubmitted |
2017-07-16 |
dc.identifier.issn |
|
dc.identifier.eissn |
2499-5975 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2499-5975/Tol-19-17-15 |
dc.peer-review |
yes |
dc.subject |
History |
dc.subject |
History |
dc.subject |
Irish theatre |
dc.subject |
Irish theatre |
dc.subject |
Ouroboros |
dc.subject |
Ouroboros |
dc.subject |
Richard II |
dc.subject |
Richard II |
dc.subject |
Shakespeare our contemporary |
dc.subject |
Shakespeare our contemporary |
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