Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio
Abstract
In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
Submitted: Feb. 24, 2022 | Accepted: July 4, 2022 | Published Oct. 28, 2022 | Language: it
Keywords Intertextuality • Poetry • Music • Modernism • Symbol
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Permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/014