Journal |
Annali di Ca’ Foscari. Serie occidentale
Journal issue | 58 | 2024
Research Article | Parole e simboli: The Great Figure di W.C. Williams
Parole e simboli: The Great Figure di W.C. Williams
-
Cristina Giorcelli
- Università degli Studi Roma Tre, Italia -
email
- Cristina Giorcelli - Università degli Studi Roma Tre, Italia - email
Abstract
Published in 1921, The Great Figure is among William Carlos Williams’s most paradigmatic poems. It inspired an equally famous Poster-portrait (1928) by Charles Demuth, the poet’s longtime friend. Both artists may be said to have been ‘Precisionists’: Demuth by direct association with the American Art Movement of this name, Williams by the accuracy of his medium. This essay presents a close analysis of the poem vis-à-vis the painting. To show how difficult it is to turn Williams’s ‘simple’ language into Italian, the essay analyses Vittorio Sereni’s version of the poem.
Submitted: May 7, 2024 | Accepted: June 17, 2024 | Published Sept. 30, 2024 | Language: it
Keywords William Carlos Williams • The Great Figure • Charles Demuth • La Grande Cifra • I Saw the Figure 5 in Gold
Copyright © 2024 Cristina Giorcelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2024/12/003
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DC Field
Value
dc.identifier
ECF_article_18560
dc.title
Parole e simboli: The Great Figure di W.C. Williams
dc.contributor.author
Giorcelli Cristina
dc.publisher
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type
Research Article
dc.language.iso
it
dc.identifier.uri
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2024/58/parole-e-simboli-the-great-figure-di-wc-williams/
dc.description.abstract
Published in 1921, The Great Figure is among William Carlos Williams’s most paradigmatic poems. It inspired an equally famous Poster-portrait (1928) by Charles Demuth, the poet’s longtime friend. Both artists may be said to have been ‘Precisionists’: Demuth by direct association with the American Art Movement of this name, Williams by the accuracy of his medium. This essay presents a close analysis of the poem vis-à-vis the painting. To show how difficult it is to turn Williams’s ‘simple’ language into Italian, the essay analyses Vittorio Sereni’s version of the poem.
dc.relation.ispartof
Annali di Ca’ Foscari. Serie occidentale
dc.relation.ispartof
Vol. 58 | September 2024
dc.issued
2024-09-30
dc.dateAccepted
2024-06-17
dc.dateSubmitted
2024-05-07
dc.identifier.issn
dc.identifier.eissn
2499-1562
dc.rights
Creative Commons Attribution 4.0 International Public License
dc.rights.uri
http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi
10.30687/AnnOc/2499-1562/2024/12/003
dc.peer-review
yes
dc.subject
Charles Demuth
dc.subject
I Saw the Figure 5 in Gold
dc.subject
La Grande Cifra
dc.subject
The Great Figure
dc.subject
William Carlos Williams
Download data
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_18560 |
|
dc.title |
Parole e simboli: The Great Figure di W.C. Williams |
|
dc.contributor.author |
Giorcelli Cristina |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2024/58/parole-e-simboli-the-great-figure-di-wc-williams/ |
|
dc.description.abstract |
Published in 1921, The Great Figure is among William Carlos Williams’s most paradigmatic poems. It inspired an equally famous Poster-portrait (1928) by Charles Demuth, the poet’s longtime friend. Both artists may be said to have been ‘Precisionists’: Demuth by direct association with the American Art Movement of this name, Williams by the accuracy of his medium. This essay presents a close analysis of the poem vis-à-vis the painting. To show how difficult it is to turn Williams’s ‘simple’ language into Italian, the essay analyses Vittorio Sereni’s version of the poem. |
|
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie occidentale |
|
dc.relation.ispartof |
Vol. 58 | September 2024 |
|
dc.issued |
2024-09-30 |
|
dc.dateAccepted |
2024-06-17 |
|
dc.dateSubmitted |
2024-05-07 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2499-1562 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AnnOc/2499-1562/2024/12/003 |
|
dc.peer-review |
yes |
|
dc.subject |
Charles Demuth |
|
dc.subject |
I Saw the Figure 5 in Gold |
|
dc.subject |
La Grande Cifra |
|
dc.subject |
The Great Figure |
|
dc.subject |
William Carlos Williams |
| Download data |