Journal |
Annali di Ca’ Foscari. Serie occidentale
Journal issue | 52 | 2018
Research Article | F. Scott Fitzgerald and Willa Cather, via Edith Wharton
The New New Woman: Intertextual Echoes
Abstract
In The Beautiful and Damned several intertextual references to Willa Cather’s The Song of the Lark and to Edith Wharton’s The Custom of the Country occur: this essay explores those regarding the New Woman, the flapper. Harshly criticised by the two women writers, she is more nuanced in Fitzgerald’s second novel.
Submitted: April 20, 2018 | Accepted: May 2, 2018 | Published Sept. 28, 2018 | Language: en
Keywords The Song of the Lark • The Beautiful and Damned • Intertextuality • The Custom of the Country • The New New Woman
Copyright © 2018 Cristina Giorcelli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOc/2499-1562/2018/01/005
Linguistics
Literature, Culture, History
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Giorcelli, Cristina. ‘F. Scott Fitzgerald and Willa Cather, via Edith Wharton’. Annali di Ca’ Foscar...
DC Field | Value |
---|---|
dc.identifier |
ECF_article_1407 |
dc.title |
F. Scott Fitzgerald and Willa Cather, via Edith Wharton. The New New Woman: Intertextual Echoes |
dc.contributor.author |
Giorcelli Cristina |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2018/1/f-scott-fitzgerald-and-willa-cather-via-edith-whar/ |
dc.description.abstract |
In The Beautiful and Damned several intertextual references to Willa Cather’s The Song of the Lark and to Edith Wharton’s The Custom of the Country occur: this essay explores those regarding the New Woman, the flapper. Harshly criticised by the two women writers, she is more nuanced in Fitzgerald’s second novel. |
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie occidentale |
dc.relation.ispartof |
Vol. 52 | September 2018 |
dc.issued |
2018-09-28 |
dc.dateAccepted |
2018-05-02 |
dc.dateSubmitted |
2018-04-20 |
dc.identifier.issn |
|
dc.identifier.eissn |
2499-1562 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AnnOc/2499-1562/2018/01/005 |
dc.peer-review |
yes |
dc.subject |
Intertextuality |
dc.subject |
Intertextuality |
dc.subject |
The Beautiful and Damned |
dc.subject |
The Beautiful and Damned |
dc.subject |
The Custom of the Country |
dc.subject |
The Custom of the Country |
dc.subject |
The New New Woman |
dc.subject |
The New New Woman |
dc.subject |
The Song of the Lark |
dc.subject |
The Song of the Lark |
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