Series | Quaderni di Venezia Arti
Edited book | In my End is my Beginning
Chapter | Crumbling Polyhedra
Abstract
The representation of regular and irregular solids in perspective is one of the hallmarks of Renaissance visual culture, accompanied by a rediscovery of ancient texts which emphasise the symbolic meaning of the scientiae mathematicae. Polyhedra are thought to be a visible representation of the harmony of creation, a mediating tool for approaching the very mind of God. What is the significance, then, of the depiction of crumbling polyhedra, shown as subject to fracture and disintegration? After investigating their meaning within intellectual, philosophical, and theological contexts, we will examine some case studies (paintings and woodcuts) in which specific apocalypses manifest as crumbling polyhedra.
Submitted: Oct. 1, 2024 | Published Dec. 11, 2024 | Language: en
Keywords Renaissance • Perspective • Visual culture • Polyhedra • Crisis
Copyright © 2024 Anna Bernante. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-878-1/017
Through Language: On Form and Meaning
Through Exhibitions and Archives: Inquiries on the Sociopolitical Engagement of Cultural Institutions
Through the Zone of Interest: Reframing the Identity and its Geographies
Through the Human: The Anthropos on the Stage of Crisis
Through Montage: Choreographies of Thought in a Field of Forces
Through the History of Things: On Objects and Their Role in Cultural and Historical Crises
Through Iconographies: Interpreting Symbols of Bewilderment
Coda
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_21583 |
dc.contributor.author |
Bernante Anna |
dc.title |
Crumbling Polyhedra. Perfection Falling to Pieces |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
The representation of regular and irregular solids in perspective is one of the hallmarks of Renaissance visual culture, accompanied by a rediscovery of ancient texts which emphasise the symbolic meaning of the scientiae mathematicae. Polyhedra are thought to be a visible representation of the harmony of creation, a mediating tool for approaching the very mind of God. What is the significance, then, of the depiction of crumbling polyhedra, shown as subject to fracture and disintegration? After investigating their meaning within intellectual, philosophical, and theological contexts, we will examine some case studies (paintings and woodcuts) in which specific apocalypses manifest as crumbling polyhedra. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2024-12-11 |
dc.dateSubmitted |
2024-10-01 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-878-1/crumbling-polyhedra/ |
dc.identifier.doi |
10.30687/978-88-6969-878-1/017 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-878-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Crisis |
dc.subject |
Perspective |
dc.subject |
Polyhedra |
dc.subject |
Renaissance |
dc.subject |
Visual culture |
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