Layers of Venice

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DC Field	Value
dc.identifier	ECF_book_591
dc.creator	Agazzi Michela
dc.creator	Guidarelli Gianmario
dc.creator	Pilutti Namer Myriam
dc.title	Layers of Venice. Architecture, Arts and Antiquities at Rialto
dc.type	Monograph
dc.language.iso	en
dc.description.abstract	The book offers a greater understanding of the multiple layers of meaning that have been superimposed in the course of the Medieval and Modern Ages in the Rialto area. The authors follow the Leitmotiv of the memorial component that each operation of architectural reuse has carried in the history of the church of San Giacomo di Rialto, a building which stands, emblematically, as a sort of architectural relic. Adopting this principle, the book offers an in-depth analysis of the spatial model, the reuse of individual architectural and decorative elements but also, on a larger scale, the different configurations of the urban context (the Rialto market) through the centuries, after repeated destruction, reconstruction and transformation. By adopting this multi-scale approach, the book reveals the key role played by the church in the narrative strategy adopted to perpetually renew the myth of Venice, taking on a conceptual and polysemantic dimension where each component (object, context, meaning, function, image) constitutes an element cultural memory, with each leaving a tangible trace of its own.
dc.relation.ispartof	Sources, Literatures, Arts & Landscapes of Europe
dc.identifier.doi	10.30687/978-88-6969-729-6
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-05-05
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-670-1/
dc.identifier.issn	2724-6620
dc.identifier.eissn	2784-8507
dc.identifier.isbn	978-88-6969-670-1
dc.identifier.isbn	978-88-6969-729-6
dc.identifier.isbn
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Acqua alta
dc.subject	Alessandro Vittoria
dc.subject	Ancient Roman Capitals
dc.subject	Andrea dall’Aquila
dc.subject	Banks
dc.subject	Basilica
dc.subject	Bridge of Rialto
dc.subject	Byzantine
dc.subject	Church of San Giacomo at Rialto
dc.subject	Concieri
dc.subject	Early Byzantine Capitals
dc.subject	Early modern commercial institutions
dc.subject	Early modern trade
dc.subject	Giustizia
dc.subject	Greek cruciform
dc.subject	High Middle Ages
dc.subject	History of Architecture
dc.subject	History of Venice
dc.subject	Lieu de mémoire
dc.subject	Marbles
dc.subject	Medieval
dc.subject	Medieval architecture
dc.subject	Medieval town
dc.subject	Restoration
dc.subject	Reuse of building materials
dc.subject	Reused materials
dc.subject	Rialto
dc.subject	Rialto
dc.subject	Rialto
dc.subject	Rialto
dc.subject	Romanesque
dc.subject	San Giacomo di Rialto
dc.subject	San Giacomo di Rialto
dc.subject	San Giacomo di Rialto
dc.subject	San Giacomo di Rialto
dc.subject	Spolia
dc.subject	Stones
dc.subject	Trading places
dc.subject	Urban History
dc.subject	Venetian Architecture
dc.subject	Venetian Renaissance Sculpture
dc.subject	Venetian Republic
dc.subject	Venetian Trade Guilds
dc.subject	Venetian early modern architecture
dc.subject	Venice
dc.subject	Venice
dc.subject	Vigilio Rubini

Monograph
open access

Layers of Venice

Architecture, Arts and Antiquities at Rialto

Michela Agazzi Università Ca’ Foscari Venezia, Italia

Gianmario Guidarelli Università degli Studi di Padova, Italia

Myriam Pilutti Namer Università Ca’ Foscari Venezia, Italia

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abstract

The book offers a greater understanding of the multiple layers of meaning that have been superimposed in the course of the Medieval and Modern Ages in the Rialto area. The authors follow the Leitmotiv of the memorial component that each operation of architectural reuse has carried in the history of the church of San Giacomo di Rialto, a building which stands, emblematically, as a sort of architectural relic. Adopting this principle, the book offers an in-depth analysis of the spatial model, the reuse of individual architectural and decorative elements but also, on a larger scale, the different configurations of the urban context (the Rialto market) through the centuries, after repeated destruction, reconstruction and transformation. By adopting this multi-scale approach, the book reveals the key role played by the church in the narrative strategy adopted to perpetually renew the myth of Venice, taking on a conceptual and polysemantic dimension where each component (object, context, meaning, function, image) constitutes an element cultural memory, with each leaving a tangible trace of its own.

Published

May 5, 2023

Language

ISBN (PRINT)

978-88-6969-670-1

ISBN (EBOOK)

978-88-6969-729-6

Number of pages

184

Dimensions

24x22 cm

Keywords

High Middle Ages • Spolia • Basilica • Medieval architecture • Vigilio Rubini • Restoration • Andrea dall’Aquila • Venetian Architecture • Medieval town • Medieval • History of Architecture • Early modern commercial institutions • Alessandro Vittoria • Giustizia • Urban History • Trading places • Concieri • Reused materials • Stones • Banks • Venice • Acqua alta • Church of San Giacomo at Rialto • Early Byzantine Capitals • Rialto • Venetian Trade Guilds • Venetian Renaissance Sculpture • History of Venice • Lieu de mémoire • Venetian early modern architecture • Greek cruciform • Early modern trade • Byzantine • Romanesque • Venetian Republic • San Giacomo di Rialto • Bridge of Rialto • Marbles • Reuse of building materials • Ancient Roman Capitals

permalink http://doi.org/10.30687/978-88-6969-729-6

Copyright: © 2023 Michela Agazzi, Gianmario Guidarelli, Myriam Pilutti Namer. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.