Series |
Storie dell’arte contemporanea
Review | Venezia 1868: l’anno di Ca’ Foscari
Chapter | A partire dal 1868: nota sulla nuova pittura a Venezia
A partire dal 1868: nota sulla nuova pittura a Venezia
Parte prima
- Nico Stringa - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Even 19th century had its ’68, particularly in Venice, where, without sensational episodes but with as much relevance, as regards the artistic situation, as what happened a century later, a series of events, if seen even if only in their apparently casual consequential and then overlapping, attests to a total value objectively unusual and rich in subsequent implications, ordered in the direction of a general renewal. Two years after the plebiscite that sanctioned the entry of Venice and Veneto into the Kingdom of Italy, many signs provide the clarification of an overall picture of great momentum due in large part to the contribution of a new generation of Venetians. The establishment of the Royal Higher School of Commerce at Ca’ Foscari, a prelude to the establishment of one of the major university centres of research and higher education, contributed to the rebirth and revival of Venice and its image, in stark contrast with the myth, never extinguished, of a city ‘inevitably’ linked to its never-ending end, to its endless twilight.
Published Dec. 14, 2018 | Language: it
Keywords Filippo Palizzi • Tommaso Locatelli • Fine Art Academy of Venice • Giacomo Favretto • Federico Zandomeneghi • Pietro Selvatico Estense • Venice • Luigi Nono • Emanuele Antonio Cicogna • Vincenzo Cabianca • Ermolao Antonio Paoletti • Strenna Veneziana • Guglielmo Stella • Michele Cammarano • Domenico Bresolin • Guglielmo Ciardi
Copyright © 2018 Nico Stringa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-294-9/010
Introduzioni
- Saluti istituzionali
- Giovannella Cresci Marrone
- Dec. 14, 2018
-
Venezia 1868: l’anno di Ca’ Foscari
Progetto per i 150 anni dell’Università Ca’ Foscari Venezia - Nico Stringa, Stefania Portinari
- Dec. 14, 2018
Venezia 1868
-
Verso la fondazione della Scuola Superiore di Commercio
Cronache dalla Gazzetta di Venezia dell’anno 1868 - Marianna Rossi
- Dec. 14, 2018
-
Un ritratto della società veneziana
La Gazzetta di Venezia del 1868 - Nicolò Zennaro
- Dec. 14, 2018
- I teatri a Venezia nel 1868
- Maria Ida Biggi
- Dec. 14, 2018
- Sulla storia della fotografia attorno al 1868
- Carlo Montanaro
- Dec. 14, 2018
-
1868 e dintorni
Il ruolo del Museo Correr nella salvaguardia e conservazione delle memorie veneziane - Camillo Tonini
- Dec. 14, 2018
- Sulla storia dell’Ateneo Veneto
- Marina Niero
- Dec. 14, 2018
- Sulla storia dell’Istituto Veneto
- Sandro Franchini
- Dec. 14, 2018
-
A partire dal 1868: nota sulla nuova pittura a Venezia
Parte prima - Nico Stringa
- Dec. 14, 2018
Attorno al 1868
- L'Accademia di Belle Arti attorno al 1868
- Gianluca Cappellazzo
- Dec. 14, 2018
-
«Perle sull’azzurro del cielo mille volte contemplate sull’onda»
1868. Félix Ziem: il ritorno a Venezia - Pierpaolo Luderin
- Dec. 14, 2018
-
La fotosintesi del cambiamento
Guglielmo Ciardi e l’opera Canale della Giudecca - Andrea Masala
- Dec. 14, 2018
-
Firenze e Venezia: città distanti, protagonisti comuni
Nuove testimonianze sull’attività artistica di Guglielmo Ciardi nel capoluogo toscano - Alessio Vigni
- Dec. 14, 2018
- Diario di Elena
- Raffaele Rizzardi
- Dec. 14, 2018
La Gazzetta di Venezia
- La Gazzetta di Venezia (gennaio-agosto)
- Dec. 14, 2018
- La Gazzetta di Venezia (settembre-dicembre)
- Dec. 14, 2018
Appendici
- La fondazione della Scuola Superiore di commercio di Venezia
- Marino Berengo
- Dec. 14, 2018
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_2342 |
|
dc.contributor.author |
Stringa Nico |
|
dc.title |
A partire dal 1868: nota sulla nuova pittura a Venezia. Parte prima |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Even 19th century had its ’68, particularly in Venice, where, without sensational episodes but with as much relevance, as regards the artistic situation, as what happened a century later, a series of events, if seen even if only in their apparently casual consequential and then overlapping, attests to a total value objectively unusual and rich in subsequent implications, ordered in the direction of a general renewal. Two years after the plebiscite that sanctioned the entry of Venice and Veneto into the Kingdom of Italy, many signs provide the clarification of an overall picture of great momentum due in large part to the contribution of a new generation of Venetians. The establishment of the Royal Higher School of Commerce at Ca’ Foscari, a prelude to the establishment of one of the major university centres of research and higher education, contributed to the rebirth and revival of Venice and its image, in stark contrast with the myth, never extinguished, of a city ‘inevitably’ linked to its never-ending end, to its endless twilight. |
|
dc.relation.ispartof |
Storie dell’arte contemporanea |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.issued |
2018-12-14 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-295-6/a-partire-dal-1868-nota-sulla-nuova-pittura-a-vene/ |
|
dc.identifier.doi |
10.30687/978-88-6969-294-9/010 |
|
dc.identifier.issn |
2610-9905 |
|
dc.identifier.eissn |
2610-9891 |
|
dc.identifier.isbn |
978-88-6969-295-6 |
|
dc.identifier.eisbn |
978-88-6969-294-9 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
Domenico Bresolin |
|
dc.subject |
Domenico Bresolin |
|
dc.subject |
Emanuele Antonio Cicogna |
|
dc.subject |
Emanuele Antonio Cicogna |
|
dc.subject |
Ermolao Antonio Paoletti |
|
dc.subject |
Ermolao Antonio Paoletti |
|
dc.subject |
Federico Zandomeneghi |
|
dc.subject |
Federico Zandomeneghi |
|
dc.subject |
Filippo Palizzi |
|
dc.subject |
Filippo Palizzi |
|
dc.subject |
Fine Art Academy of Venice |
|
dc.subject |
Fine Art Academy of Venice |
|
dc.subject |
Giacomo Favretto |
|
dc.subject |
Giacomo Favretto |
|
dc.subject |
Guglielmo Ciardi |
|
dc.subject |
Guglielmo Ciardi |
|
dc.subject |
Guglielmo Stella |
|
dc.subject |
Guglielmo Stella |
|
dc.subject |
Luigi Nono |
|
dc.subject |
Luigi Nono |
|
dc.subject |
Michele Cammarano |
|
dc.subject |
Michele Cammarano |
|
dc.subject |
Pietro Selvatico Estense |
|
dc.subject |
Pietro Selvatico Estense |
|
dc.subject |
Strenna Veneziana |
|
dc.subject |
Strenna Veneziana |
|
dc.subject |
Tommaso Locatelli |
|
dc.subject |
Tommaso Locatelli |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Vincenzo Cabianca |
|
dc.subject |
Vincenzo Cabianca |
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