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DC Field	Value
dc.identifier	ECF_chapter_261
dc.contributor.author	Vescovo Piermario
dc.title	La foresta del racconto (e il «teatro naturale»)
dc.type	Chapter
dc.language.iso	it
dc.description.abstract	The paper explores the relationship between different levels in the narration, identifying in the figure of metalepsi a useful tool to investigate Nane Oca’s structure. In its narratological sense, metalepsi is the contamination between the world in which one tells and the world of which one tells, a deliberate transgression of the established separation between defined levels resulting from intrusions or contaminations across the narration (e.g., the character of Suor Gabriella, who flies inside narrative levels, or the figure of the author-character). Eventually, further considerations are provided on the presence (and the meaning) of sketches and illustrations inside the trilogy.
dc.relation.ispartof	Quaderni Veneti. Studi e ricerche
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-04-01
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-069-3/la-foresta-del-racconto-e-il-teatro-naturale/
dc.identifier.doi	10.14277/6969-079-2/QV_SR-2-10
dc.identifier.issn	2610-8941
dc.identifier.eissn	2610-9530
dc.identifier.isbn	978-88-6969-069-3
dc.identifier.eisbn	978-88-6969-079-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Metalepsi
dc.subject	Metalepsi
dc.subject	Narratology
dc.subject	Narratology
dc.subject	«Teatro naturale»
dc.subject	«Teatro naturale»

Chapter
open access

La foresta del racconto (e il «teatro naturale»)

Piermario Vescovo Università Ca’ Foscari Venezia, Italia

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abstract

The paper explores the relationship between different levels in the narration, identifying in the figure of metalepsi a useful tool to investigate Nane Oca’s structure. In its narratological sense, metalepsi is the contamination between the world in which one tells and the world of which one tells, a deliberate transgression of the established separation between defined levels resulting from intrusions or contaminations across the narration (e.g., the character of Suor Gabriella, who flies inside narrative levels, or the figure of the author-character). Eventually, further considerations are provided on the presence (and the meaning) of sketches and illustrations inside the trilogy.

Language

ISBN (PRINT)

978-88-6969-069-3

ISBN (EBOOK)

978-88-6969-079-2

Keywords: «Teatro naturale» • Metalepsi • Narratology

permalink: http://doi.org/10.14277/6969-079-2/QV_SR-2-10

Copyright: © 2016 Piermario Vescovo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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