Lagoonscapes

The Venice Journal of Environmental Humanities

Thinking the Planet with Venice

open access | peer reviewed
Abstract

The first Italian journal expressly dedicated to the Environmental Humanities, Lagoonscapes, is animated by a ‘local’ awareness and a ‘planetary’ vision. Its title mirrors this spirit and the inescapable need to strengthen the junction between cultural perspectives and ecological complexity. Lagoonscapes is a sort of prism through which multiple perspectives converge, turning the Venetian lagoon into a symbolic laboratory, an observatory, a forge of ideas about the global panorama of the Environmental Humanities. Art, meteorology, climatic imagination, bodily immersions in the ecology of places, food, eco-ethnography, multimedia performance, extractive tourism, debunked clichés, and quagmires: this first issue is a sample of what we envision to be our mission, namely, to create bridges of elements, voices, and visions, facilitating encounters of theories and individual matters, and stimulating ‘trans-local’ negotiations along with planetary awareness.

Keywords UNESCO • Nineteenth century • Art • Multispecies • Ocean Space • Material ecocriticism • Environment • Contemporary art • Nature • Walking • Weather • Presence • Embodiment • Banksy • Environmental Humanities • Performance • Environmental media • Culinary knowledge • Gli Impresari • Venice • Meteorology • Cruise ships • Body politic • Blue humanities • New Humanities • Johann Wolfgang Goethe • Seafood • Submergence • Environmental sensing • Thomas Mann • Extractive tourism • Ecology • Elena Mazzi • Art-activism • Foodways • Joan Jonas • Eleonora Sovrani • Death in Venice • Environmental justice • Markets • The senses • Capitalocene

Permalink http://doi.org/10.30687/LGSP/2785-2709/2021/01 | Published Dec. 20, 2021 | Language en