Journal | JoLMA
Journal issue | 5 | 1 | 2024
The Art of Mapping Between Land and Mind
open access | peer reviewed-
edited by
- Francesco Ragazzi - Università Ca’ Foscari Venezia, Italia; Paris 1 Panthéon-Sorbonne, France - email
Keywords Epistemology • Marine ecology • Digital • Logic • Spatiality • Symbol • Fluidity • Cartography • System • Recording • Race • Conceptual analysis • Mapping processes • Hyperobjects • Clouds • Eco-dystopia • Geographic ontology • Iconology • Sea • Geographic Information Systems • Palimpsest • Geography • Libyan Desert • Representational Risk • Physical Geography • Sámi Art • Hans Ragnar Mathisen • Territory • Geontopower • Machine gaze • Art • Counter-mapping • Monsters • Strait • Contemporary art • Map • Immanuel Kant • Settler Colonialism • Sound • Cetaceans • Digitalisation • Epistemic Risk • Indigenous cartography • Conceptual cartography • Climate-change • Vertical perspective • Biston betularia carbonaria • Cartographic Styles • Philosophy • Michel Serres • Mind • Drone photography • Surveillance technologies • Systematic ambiguity • Transcendental illusion • Worlding • Category-mistake • Allegory • Topographic mapping • Walter Benjamin • Yorùbáland • Ryle • Mapping • Aesthetics in Science • Maps • Ocean • Semiotics • Ecology • Blank spot • Scopic regime • Italian colonial cartography • Nelson Goodman • Symbolic Representation
Permalink http://doi.org/10.30687/Jolma/2723-9640/2024/01 | Published July 26, 2024 | Language en
Copyright © Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
