Unframing/Reframing in the Contemporary Visual, Performing, and Media Arts
edited by
Language: it, en
Published: Sept. 25, 2023
abstract
Over the last two decades, the notion of the frame has been radically challenged in the visual, performing, and media arts, particularly as a consequence of the introduction of two mutually related concepts: ‘unframing’ and ‘reframing’. While the first refers to the gesture of ideally getting rid of any framing device, the second offers alternative ways to contextualise objects, acts, and images in time and space. This issue of JoLMA proposes to examine the concepts of unframing and reframing from the interdisciplinary perspective of visual art, performance, and media studies, by following both a theoretical and a practice-based approach. The entanglement of theory and practice becomes crucial when an attempt is made to introduce new epistemological standpoints.
Feminist art • Frame • Training humans • Picture Thresholds • Fictional Worlds • Virtual Reality • AI • Art Ontology • Image • Pictorial Storytelling • Art magazines • Narration • Desktop documentary • Art theory • Art of the 1960s and 1970s • Augmented reality • Avalanche magazine • Camille Henrot • Single Images • Hyper-enactment • Storytelling • Framing in art • Conversation • Re-framing • Reframing • ChatGPT • Interpretation • Re-enactment • Artists’ magazines • Framing • Grosse Fatigue • Human-machine entanglement • Visual Culture Studies • Judy Chicago • Contemporary art • Art • Sequential Images