48 | 124 | 2025
open access | peer reviewedKeywords Pere Gimferrer • Avant-garde • Rest • Photograph • Seix Barral • Comedia en colaboración • Canzone d’autore • Democratic transition • Luis Vélez de Guevara • Cultural field • Latin American writers • Poesía • Literatura finisecular • Political discourse • Catástrofe • Campo cultural • Modernismo • Notas • Twenty-first century • Review • Civil-military dictatorship • Teatro • Dictadura cívico-militar • Dramatic poetry • Pérez Galdós • Desaparecidos • Argentina • Literary publishing • Libros de caballerías • Resto • Catastrophe • Alegoría • Divulgazione musicale • Allegory • Portuguese Revolution • Theater • Vanguardia • Galdosian theatre • Alma y vida • Edición literaria • Canzone d'autore • Siglo XXI • Poesía dramática • Spanish theatre of the seventeenth century • El príncipe de la estrella y castillo de la vida • Poetry • Notes • Teatro galdosiano • Escritoras latinoamericanas • Modernism • Musical dissemination • Novels of chivalry • Teatro del siglo XVII • Argentine • Transición democrática • Plays in collaboration • Rivoluzione portoghese • Golden Age • Siglo de Oro • Traduzione della canzone • Song’s translation • José Afonso • Discurso político • Fotografía
Permalink http://doi.org/10.30687/Ri/2037-6588/2025/25 | Published Dec. 12, 2025 | Language es, it
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