Philological Glosses (VI): “Tot muda i tot roman” or “Tot…

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DC Field	Value
dc.identifier	ECF_article_6579
dc.title	Philological Glosses (VI): “Tot muda i tot roman” or “Tot roman i tot muda”? Rhythm and Rhyme in J.V. Foix
dc.contributor.author	Veny Mesquida Joan Ramon
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	ca
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/riviste/rassegna-iberistica/2021/116/glosses-filologiques-vi-tot-muda-i-tot-roman-o-tot/
dc.description.abstract	This article traces the most crucial moments in the biographical relationship and friendship between poets J.V. Foix and Gabriel Ferrater focusing on what could be considered its culmination: the poem that Foix wrote after the death of his friend in the summer of 1973 at Port de la Selva. Specifically, the study proposes an interpretation of what Foix achieved with the changes he made, in the various versions of the text that have been preserved, in the famous two verses that close the poem while trying to objectify, from the analysis of its repercussions on rhyme, prosody and rhythm, what the masterful poetic gift of the poet of Sarrià knew how to write in an absolutely intuitive way.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 44 \| Issue 116 \| December 2021
dc.issued	2021-12-06
dc.dateAccepted	2020-11-24
dc.dateSubmitted	2020-06-19
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2021/17/006
dc.peer-review	yes
dc.subject	Alexandrine verse
dc.subject	Alexandrine verse
dc.subject	Authorial philology
dc.subject	Authorial philology
dc.subject	Critica delle varianti
dc.subject	Critica delle varianti
dc.subject	Filologia d’autore
dc.subject	Filologia d’autore
dc.subject	Foix
dc.subject	Foix
dc.subject	Gabriel Ferrater
dc.subject	Gabriel Ferrater
dc.subject	Genetic criticism
dc.subject	Genetic criticism
dc.subject	J
dc.subject	J
dc.subject	V
dc.subject	V
dc.subject	Vers alexandrí
dc.subject	Vers alexandrí
dc.subject	\| J
dc.subject	\| J

Research Article
open access peer reviewed

Philological Glosses (VI): “Tot muda i tot roman” or “Tot roman i tot muda”? Rhythm and Rhyme in J.V. Foix

Joan Ramon Veny Mesquida Universitat de Lleida, Espanya

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abstract

This article traces the most crucial moments in the biographical relationship and friendship between poets J.V. Foix and Gabriel Ferrater focusing on what could be considered its culmination: the poem that Foix wrote after the death of his friend in the summer of 1973 at Port de la Selva. Specifically, the study proposes an interpretation of what Foix achieved with the changes he made, in the various versions of the text that have been preserved, in the famous two verses that close the poem while trying to objectify, from the analysis of its repercussions on rhyme, prosody and rhythm, what the masterful poetic gift of the poet of Sarrià knew how to write in an absolutely intuitive way.

Published

Dec. 6, 2021

Accepted

Nov. 24, 2020

Submitted

June 19, 2020

Language

Keywords: J • Foix • Authorial philology • Genetic criticism • V • | J • Vers alexandrí • Filologia d’autore • Gabriel Ferrater • Alexandrine verse • Critica delle varianti

permalink http://doi.org/10.30687/Ri/2037-6588/2021/17/006

Copyright: © 2021 Joan Ramon Veny Mesquida. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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