Don Perlimplín in Venice: Nono and Maderna
Abstract
The present paper is a study of two musical adaptations of Federico García Lorca’s play Amor de don Perlimplín con Belisa en su jardín by two venetian composers linked to the Darmstadt School, Luigi Nono and Bruno Maderna, respectively a ballet entitled Der rote Mantel, which uses the German translation by Enrique Beck, and a radiophonic opera based on the Italian translation by Vittorio Bodini, Don Perlimplín ovvero il trionfo dell’amore e dell’immaginazione.
Submitted: April 7, 2016 | Accepted: July 22, 2016 | Published June 29, 2017 | Language: es
Keywords Transmediality • Avant-garde • Translation • Music • Theater
Copyright © 2017 Andrés Soria Olmedo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-40-107-17-2