Shadow of Reality

The Relationship between the Arts in the Comparison of Antonio López’ Painting and the Documentary by Víctor Erice

Antonio Monegal - Universitat Pompeu Fabra, Espanya - email

Abstract

The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López.

Open access | Peer reviewed

Submitted: Feb. 4, 2016 | Accepted: April 6, 2016 | Published Dec. 7, 2016 | Language: es

Keywords Mimesis • Documentary cinema • Comparison • Différance • Heterogeneity • Look • Painting

Copyright © 2016 Antonio Monegal. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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DC Field	Value
dc.identifier	ECF_article_303
dc.title	Shadow of Reality. The Relationship between the Arts in the Comparison of Antonio López’ Painting and the Documentary by Víctor Erice
dc.contributor.author	Monegal Antonio
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2016/106/sombras-de-lo-real/
dc.description.abstract	The current stage of the observations on the relationship between the Arts allows us to move past the model of comparison between literary and visual works of art and address the inherent complexity of mixed models and cultural products that embody this difference. Such considerations send us back to the origins of the interartistic debate, to rethinking the arts’ mimetic ability in a context where the acknowledgement of cultural field is an invitation to investigate the relational dynamics. The case study is a brief video by Víctor Erice, filmed while preparing for the shooting of the documentary El sol del membrillo, on the painting of Antonio López.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 39 \| Issue 106 \| December 2016
dc.issued	2016-12-07
dc.dateAccepted	2016-04-06
dc.dateSubmitted	2016-02-04
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2037-6588/Ri-39-106-16-5
dc.peer-review	yes
dc.subject	Comparison
dc.subject	Comparison
dc.subject	Différance
dc.subject	Différance
dc.subject	Documentary cinema
dc.subject	Documentary cinema
dc.subject	Heterogeneity
dc.subject	Heterogeneity
dc.subject	Look
dc.subject	Look
dc.subject	Mimesis
dc.subject	Mimesis
dc.subject	Painting
dc.subject	Painting
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