Journal | Rassegna iberistica
Journal issue | 38 | 104 | 2015
Research Article | Virgilio Piñera’ Centenary in Venice

Virgilio Piñera’ Centenary in Venice

Abstract

In a year during which some of the most leading figures in Latin American literature were celebrated on their centenary of their birth, (Julio Cortázar, Adolfo Bioy Casares, Gertrudis Gomez de Avellaneda, Octavio Paz), I would like to remember a belated centenary, due to a real “rebirth” in the cultural and literary Cuban scene. I’m going to propose an excellent cuban writer, Virgilio Piñera (1912-1979), who become the subject of growing critical and popular attention in recent years. His singular stories – or better still, his whole existential adventure – answer to a deep-rooted obsession with authenticity, that insidious zone where each character and situation denude his author and the ghosts tormenting him. His writing, being a continuous paradox, is the instrument trough which he wants to fight the trivial and the meaningless. His troublesome literary voice was reconsidered after his death, and his first official centenary, in his native country, was commemorated only three years ago, in 2012.


Open access | Peer reviewed

Published Dec. 1, 2015 | Language: es

Keywords Virgilio Piñera • First homage • Cuban literature • Demystification

Copyright © 2015 Fabiola Cecere. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/2037-6588/79p


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