Home > Catalogue > Quaderni Veneti > 12 | 2023 > «Che ideale sepoltura in quegli abissi»: poetica e autorappresentazione nella poesia di Vittoria Aganoor attraverso la figura di Saffo

Quaderni Veneti | Vol. 12 | December 2023

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Research Article

«Che ideale sepoltura in quegli abissi»: poetica e autorappresentazione nella poesia di Vittoria Aganoor attraverso la figura di Saffo

Andrea Panizzolo    Ricercatore indipendente    

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abstract

This article aims to study the characteristics of Vittoria Aganoor’s poetics and philosophy by focusing on the ways in which the poetic self is represented using the figure and myth of Sappho. The investigation will be carried out through the study of two poems, “Tentazione” and “L’ultimo canto di Saffo”, written in two different periods: the former published in Leggenda eterna, Aganoor’s debut collection, and the latter among the scattered verses published posthumously in Poesie complete. After considering the presence of Sappho in Italian letters between the nineteenth and twentieth centuries, with special attention to multiple associations with women writers, what is deduced from the analysis of the two poems will be placed in relation with some of Aganoor’s correspondence and with the well-known reading at the Collegio Romano to trace leitmotivs and impressions concerning the metapoetic discourse of the Paduan poet, between self-representation and programmatic reasoning.

Published
July 18, 2024
Accepted
April 18, 2024
Submitted
Jan. 16, 2024
Language
IT

Keywords: Metapoetry • Vittoria Aganoor • Sappho • Self-representation • Poetry

permalink http://doi.org/10.30687/QV/1724-188X/2023/01/001

Copyright: © 2023 Andrea Panizzolo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.