Journal | Lexis
Journal issue | Num. 41 (n.s.) - Giugno 2023 - Fasc. 1
Research Article | Dante and the Latin Poets: Metamorphosis and Literary Antagonism in the Bedlam of Thieves
Dante and the Latin Poets: Metamorphosis and Literary Antagonism in the Bedlam of Thieves
Abstract
In Inferno’s Cantos 24 and 25 Dante points out the auctoritas of Latin epic poets (Ovid, Lucan), but uses a series of rhetorical figures intended to emphasise his own superiority and the novelty of his poetic enterprise. Dante competes with Ovid (Cadmus’s metamorphosis into a snake in Ov. met. 4. 569-603 = Dante Inf. 25. 103-138) by recycling Ovid’s grammar of description and lowering its high style according to the new poetic objective as he recounts the anti-sublime world of Malebolge. Virgil as a character of Dante’s Commedia also participates in this procedure, since he presents one of his epic creatures, Cacus (the monster slain by Hercules in Aeneid 8), in terms strongly divergent from the high diction adopted by the real Virgil as Aeneid’s author.
Submitted: Oct. 10, 2022 | Accepted: April 6, 2023 | Published Aug. 4, 2023 | Language: it
Keywords Lucan • Dante • Topoi of comparison and outdoing • Metamorphosis • Ovid
Copyright © 2023 Alessandra Romeo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Lexis/2724-1564/2023/01/008
