26 | 2024
open access | peer reviewedKeywords Storytelling • Mbougar Sarr • Whichcraft • Subverting of the imaginary • Narratives • Neoliberalism • Ekphrasis • Tim Jones • Supernatural • Failure • Caribbean • Autobiography • Narayan Surve • Migration • Negative solidarity • Césaire • New Zealand • Intermediality • Transnationalism • Habel • Walcott • Indigenous pandemic fiction • Decolonial • Subaltern studies • Cotton mill workers • Multiplicity • David Fennario • Dreaming • Chaos-world • Canadian Theatre • Mabanckou • Négritude • Cherie Dimaline • Mumbai migrants • Postmigration • Language • Pluralism • Damas • Heterotopy • Refugee • Refugee novel • Urban identity • Visibility • Poetics of space • Migrant literature • Climate refugees • Mohammed Dib • Painting • Exit West • Cultural heritage • Social criticism • Decoloniality • Mohsin Hamid
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language fr, it, en
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