26 | 2024
open access | peer reviewedKeywords Canadian Theatre • Refugee novel • Transnationalism • Habel • Multiplicity • Social criticism • Subverting of the imaginary • Mohammed Dib • Supernatural • Migration • Mbougar Sarr • Négritude • Mohsin Hamid • Césaire • Intermediality • Narratives • Chaos-world • Cultural heritage • Migrant literature • Negative solidarity • Visibility • David Fennario • Urban identity • Indigenous pandemic fiction • Language • Pluralism • Damas • Exit West • Refugee • Tim Jones • Heterotopy • Poetics of space • Cotton mill workers • New Zealand • Mabanckou • Neoliberalism • Ekphrasis • Climate refugees • Mumbai migrants • Narayan Surve • Decoloniality • Postmigration • Caribbean • Walcott • Whichcraft • Dreaming • Failure • Autobiography • Subaltern studies • Storytelling • Cherie Dimaline • Painting • Decolonial
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Published Dec. 9, 2024 | Language it, en, fr
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