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English Literature | 5 | 2018

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Journal issue

Vol. 5 | December 2018

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Language: it, en

Published: Dec. 17, 2018

permalink http://doi.org/10.30687/EL/2420-823X/2018/01

Copyright: © 2018 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Table of contents

Adaptations, Especially (but not Only) in Cinema
What Isn’t a Cross-Cultural Adaptation, and, if You Know that, then what Isn’t a Cross-Cultural Text?
Leitch Thomas   
Dec. 17, 2018
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‘#DifferenceMakesUs’: Selling Shakespeare Online (and the Commerce Platform Etsy)
Blackwell Anna   
Dec. 17, 2018
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Narrative Suspense in Edgar Allan Poe and Alfred Hitchcock
Elaine Indrusiak   
Dec. 17, 2018
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Film Adaptation as the Art of Expansion
The Visual Poetics of Marleen Gorris in Mrs. Dalloway
Polina Rybina   
Dec. 17, 2018
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Adapting Shakespeare around the Globe
The Construction of Otherness and its Ideological Stakes in the Films O and Omkara
Andrei Nae   
Dec. 17, 2018
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Re-run and Re-read
Tom McCarthy’s Remainder as an Archeology of the Present
Alessandra Violi   
Dec. 17, 2018
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Passions, Emotions and Cognition in Eighteenth-Century Literature (Part 2)
The Fear of Laughter in Restoration Prose Fiction
Jorge Figueroa   
Dec. 17, 2018
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Frances Greville’s A Prayer for Indifference
The Limits of Sentiment
Karin Kukkonen   
Dec. 17, 2018
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Isaac Watts’s Hymnody as a Guide for the Passions
Daniel Johnson   
Dec. 17, 2018
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Passionate Educations
John Locke, Aphra Behn, and Jane Austen
Aleksondra Hultquist   
Dec. 17, 2018
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The Literature of Fear in Britain
Coleridge’s Fears in Solitude and the French Invasion of Fishguard in 1797
Ildiko Csengei   
Dec. 17, 2018
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