Journal | Archivio d’Annunzio
Monographic journal issue | 9 | 2022
Research Article | Omaggio a un poeta. Sereni e d’Annunzio
Omaggio a un poeta. Sereni e d’Annunzio
- Giulia Raboni - Università di Parma, Italia - email
Abstract
This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni explicitly quotes some lines from d’Annunzio’s Novilunio and appears to refer to a long, and apparently somewhat arduous, process of distancing himself from d’Annunzio’s cumbersome legacy in his early development as a poet. The main point that we try to make is that Sereni’s departure from d’Annunzio and the Liberty style is prompted not so much by a radical shift in poetic sensibility, but rather by a recognition that the world, and the social reality, have changed, and therefore require a renewal of the means of poetic expression. This is contrasted with the poetry of Montale, arguably the most influential Italian poet in the second half of the 20th century: we make the case that Montale’s innovation, decisively influenced by the English-language modernism, is much more radical, and involves not just an updating of the poetic language, but a more fundamental and theoretical renewal of the very idea of poetry and literature and of what they stand for.
Submitted: Feb. 20, 2022 | Accepted: June 2, 2022 | Published Oct. 28, 2022 | Language: it
Keywords Eugenio Montale • Modernism • La poesia è una passione? Novilunio • Gabriele d’Annunzio • Vittorio Sereni
Copyright © 2022 Giulia Raboni. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AdA/2421-292X/2022/01/015
I. Officina dannunziana
- L’ombra di d’Annunzio, allora e adesso
- Pietro Gibellini
- Oct. 28, 2022
1. Primo Novecento
- Esplorazioni d’ombra: d’Annunzio nella poesia del primo Novecento
- Elena Valentina Maiolini
- Oct. 28, 2022
- Riflessi ed echi dei Conviviali nell’Alcyone dannunziano
- Maria Belponer
- Oct. 28, 2022
-
Attraversare d’Annunzio?
Corazzini, Gozzano e il Maestro (forse) avverso - Valter Boggione
- Oct. 28, 2022
- Imitare l’‘inimitabile’: nuovi appunti sulle parodie dannunziane
- Gianfranca Lavezzi
- Oct. 28, 2022
-
La «melodia selvaggia» della Natura
Una metafora di libertà metrica da d’Annunzio ai poeti di primo Novecento - Federica Massia
- Oct. 28, 2022
- Ada Negri e D’Annunzio: un mancato sodalizio?
- Pietro Sarzana
- Oct. 28, 2022
-
Le parole di d’Annunzio in Rebora
Dinamismo delle fonti tra stile e ideologia - Gianni Mussini
- Oct. 28, 2022
- Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto di Dino Campana
- Maria Teresa Imbriani
- Oct. 28, 2022
- Il d’Annunzio di Giuseppe Ungaretti
- Massimo Migliorati
- Oct. 28, 2022
- Montale e d'Annunzio: un rapporto poco gradito (e poco frequentato) dalla critica
- Antonio Zollino
- Oct. 28, 2022
- «Alle radici»: Pavese, l’Alcyone, le note su Maia
- Gioele Cristofari
- Oct. 28, 2022
2. Secondo Novecento
- Esplorazioni d’ombra: d’Annunzio nella poesia del secondo Novecento
- Massimo Migliorati
- Oct. 28, 2022
- Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio
- Roberto Deidier
- Oct. 28, 2022
- Omaggio a un poeta. Sereni e d’Annunzio
- Giulia Raboni
- Oct. 28, 2022
- Nota su Andrea Zanzotto e la sua lunga ‘digestione’ di d’Annunzio
- Gian Mario Villalta
- Oct. 28, 2022
- Il mito e il sacro: Pasolini e la ricezione di d’Annunzio
- Gian Mario Anselmi
- Oct. 28, 2022
-
Alcyone come modello nella poesia di Goliarda Sapienza
Prime osservazioni per uno studio in corso - Alessandra Trevisan
- Oct. 28, 2022
3. Testimonianze dei poeti d’oggi
- Un’ombra lunga: i poeti d’oggi e d’Annunzio
- Massimo Migliorati, Elena Valentina Maiolini
- Oct. 28, 2022
-
D’Annunzio poeta sciamano
Una dimensione da recuperare - Donatella Bisutti
- Oct. 28, 2022
- L’umiltà del Re
- Anna Maria Carpi
- Oct. 28, 2022
- Il mio rapporto con d’Annunzio
- Giuseppe Conte
- Oct. 28, 2022
- La ricerca dell'io
- Rosita Copioli
- Oct. 28, 2022
- Dopo un attrito l’apertura
- Maurizio Cucchi
- Oct. 28, 2022
- Leggere d’Annunzio, nonostante d’Annunzio
- Giancarlo Pontiggia
- Oct. 28, 2022
- D’Annunzio scolastico
- Fabio Pusterla
- Oct. 28, 2022
- D’Annunzio, la mia famiglia, io stesso
- Silvio Ramat
- Oct. 28, 2022
- Per amore della parola
- Patrizia Valduga
- Oct. 28, 2022
- Appendice
- Patrizia Valduga
- Oct. 28, 2022
II. Civiltà dannunziana
- Lo studio delle mani del Piacere
- Nicola Di Nino
- Oct. 28, 2022
III. Recensioni
- Elena Maiolini (a cura di). Gabriele D’Annunzio, Francesca da Rimini
- Sara Campardo
- Oct. 28, 2022
- Nicola Di Nino (a cura di). Gabriele d’Annunzio, Le vergini delle rocce
- Maria Teresa Imbriani
- Oct. 28, 2022
- Teresa Megale, Elena Lenzi (a cura di). Martino Cafiero: Volere, potere. Contro Eleonora Duse
- Paolo Puppa
- Oct. 28, 2022
- Raffaella Bertazzoli, Pietro Gibellini (a cura di). Celebrare gli eroi. D’Annunzio e il libro di “Elettra”
- Gianni Oliva
- Oct. 28, 2022
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_8140 |
|
dc.title |
Omaggio a un poeta. Sereni e d’Annunzio |
|
dc.contributor.author |
Raboni Giulia |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2022/1/omaggio-a-un-poeta-sereni-e-dannunzio/ |
|
dc.description.abstract |
This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni explicitly quotes some lines from d’Annunzio’s Novilunio and appears to refer to a long, and apparently somewhat arduous, process of distancing himself from d’Annunzio’s cumbersome legacy in his early development as a poet. The main point that we try to make is that Sereni’s departure from d’Annunzio and the Liberty style is prompted not so much by a radical shift in poetic sensibility, but rather by a recognition that the world, and the social reality, have changed, and therefore require a renewal of the means of poetic expression. This is contrasted with the poetry of Montale, arguably the most influential Italian poet in the second half of the 20th century: we make the case that Montale’s innovation, decisively influenced by the English-language modernism, is much more radical, and involves not just an updating of the poetic language, but a more fundamental and theoretical renewal of the very idea of poetry and literature and of what they stand for. |
|
dc.relation.ispartof |
Archivio d’Annunzio |
|
dc.relation.ispartof |
Vol. 9 | October 2022 |
|
dc.issued |
2022-10-28 |
|
dc.dateAccepted |
2022-06-02 |
|
dc.dateSubmitted |
2022-02-20 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2421-292X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AdA/2421-292X/2022/01/015 |
|
dc.peer-review |
yes |
|
dc.subject |
Eugenio Montale |
|
dc.subject |
Gabriele d’Annunzio |
|
dc.subject |
La poesia è una passione? Novilunio |
|
dc.subject |
Modernism |
|
dc.subject |
Vittorio Sereni |
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