Journal |
Archivio d’Annunzio
Monographic journal issue | 8 | 2021
8 | 2021
open access | peer reviewedKeywords Italian novel • Narrativity • Contemplazione della morte • Blindness-vision • Duse • Time-space • Notturno • Francesca da Rimini • La Pisanelle • Rite • La Ville Morte • Silence • <b>Mystical inspiration</b> • Luchino Visconti • Italian contemporary poetry • Le Martyre de Saint Sébastien • Subject • Philology • Rome • Death • Venice • Gabriele d’Annunzio • Attraversamento • Correspondence • Letters • Methodology • Popular • Lyric prose • Vernon Lee • Water-land • Word • Impossible catharsis • Baudelaire • René Girard • Incipit • Melody • Bremond • Political d’Annunzio • Rhythm • Antiphrases • Benjamin • Gazzetta di Venezia • Fragment • Giovanni Episcopo • D’Annunzio • The second Abruzzo tragedy • Le Chèvrefeuille • First World War • Analytic route • Pascol • L’innocente • Cadence • Drama • Ellipsis • Journalism • Aviation • Mystical inspiration • Cinema • Futurism • France • Flâneur • Mantova • Memory, • Textual Threshold • Myth
Permalink http://doi.org/10.30687/AdA/2421-292X/2021/01 | Published Oct. 21, 2021 | Language it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Dalla fine all’inizio. Percorsi dannunziani
- Paolo Puppa
- Oct. 21, 2021
Officina dannunziana. Incipit ed explicit in Gabriele d’Annunzio
- Su La città morta, Tragedia
- Pasquale Guaragnella
- Oct. 21, 2021
- L’ultima variante di Francesca da Rimini
- Elena Valentina Maiolini
- Oct. 21, 2021
- Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio
- Alfredo Sgroi
- Oct. 21, 2021
- Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio
- Luciana Pasquini
- Oct. 21, 2021
- Gli incipit nelle opere francesi di d’Annunzio
- Paola Martinuzzi
- Oct. 21, 2021
- L’anomalia incipitaria del Giovanni Episcopo
- Ilaria Crotti
- Oct. 21, 2021
- Logiche della diffrazione: le soglie testuali del Giovanni Episcopo
- Marco Carmello
- Oct. 21, 2021
-
Oltrepassare la soglia della morale: delitto, giustizia, suicidio
L’innocente secondo Luchino Visconti - Fabrizio Borin
- Oct. 21, 2021
- «Amore su la ruina»: strategie del desiderio mimetico nel primo libro del Forse che sì forse che no
- Andrea Gialloreto
- Oct. 21, 2021
- Il frammento tra dissoluzione e rinascita: d’Annunzio nel Notturno
- Giorgio Patrizi
- Oct. 21, 2021
- Formule e itinerari del ‘debut-et-la fin’ nella Contemplazione della morte
- Angela Fabris
- Oct. 21, 2021
- La critica del cominciamento. D'Annunzio e gli incipit giornalistici come desiderio di/del Piacere
- Srecko Jurisic
- Oct. 21, 2021
Civiltà dannunziana
- La poesia italiana del Novecento e la funzione d’Annunzio: ipotesi di lavoro
- Alessio Verdone
- Oct. 21, 2021
-
Le lettere di Gabriele d’Annunzio a Virginio Avi. Una corrispondenza politica
Il Fondo Tursi presso la Fondazione Giorgio Cini e la Biblioteca Nazionale Marciana di Venezia - Roberta Favia
- Oct. 21, 2021
Recensioni
- Giordano Bruno Guerri (a cura di). Da Ovidio a d'Annunzio. Miti di metamorfosi e metamorfosi dei miti
- Maria Rosa Giacon
- Oct. 21, 2021
- Gabriele d’Annunzio. Francesca da Rimini, a cura di Donato Pirovano
- Paolo Puppa
- Oct. 21, 2021
- Gabriele d’Annunzio. Studi su Gesù. Appunti, Taccuini, Parabole, a cura di Angelo Piero Cappello
- Pietro Gibellini
- Oct. 21, 2021
- Giulio Aristide Sartorio, Il ritorno di Raffaello
- Alessandra Trevisan
- Oct. 21, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_issue_233 |
|
dc.title |
Vol. 8 | October 2021 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.type |
Monographic journal issue |
|
dc.language.iso |
it |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2021/1/ |
|
dc.relation.ispartof |
Archivio d’Annunzio |
|
dc.issued |
2021-10-21 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2421-292X |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/AdA/2421-292X/2021/01 |
|
dc.peer-review |
yes |
|
dc.subject |
Mystical inspiration |
|
dc.subject |
Mystical inspiration |
|
dc.subject |
Analytic route |
|
dc.subject |
Analytic route |
|
dc.subject |
Antiphrases |
|
dc.subject |
Antiphrases |
|
dc.subject |
Attraversamento |
|
dc.subject |
Attraversamento |
|
dc.subject |
Aviation |
|
dc.subject |
Aviation |
|
dc.subject |
Baudelaire |
|
dc.subject |
Baudelaire |
|
dc.subject |
Benjamin |
|
dc.subject |
Benjamin |
|
dc.subject |
Blindness-vision |
|
dc.subject |
Blindness-vision |
|
dc.subject |
Bremond |
|
dc.subject |
Bremond |
|
dc.subject |
Cadence |
|
dc.subject |
Cadence |
|
dc.subject |
Cinema |
|
dc.subject |
Cinema |
|
dc.subject |
Contemplazione della morte |
|
dc.subject |
Contemplazione della morte |
|
dc.subject |
Correspondence |
|
dc.subject |
Correspondence |
|
dc.subject |
Death |
|
dc.subject |
Death |
|
dc.subject |
Drama |
|
dc.subject |
Drama |
|
dc.subject |
Duse |
|
dc.subject |
Duse |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
D’Annunzio |
|
dc.subject |
Ellipsis |
|
dc.subject |
Ellipsis |
|
dc.subject |
First World War |
|
dc.subject |
First World War |
|
dc.subject |
Flâneur |
|
dc.subject |
Flâneur |
|
dc.subject |
Fragment |
|
dc.subject |
Fragment |
|
dc.subject |
France |
|
dc.subject |
France |
|
dc.subject |
Francesca da Rimini |
|
dc.subject |
Francesca da Rimini |
|
dc.subject |
Futurism |
|
dc.subject |
Futurism |
|
dc.subject |
Gabriele d’Annunzio |
|
dc.subject |
Gabriele d’Annunzio |
|
dc.subject |
Gazzetta di Venezia |
|
dc.subject |
Gazzetta di Venezia |
|
dc.subject |
Giovanni Episcopo |
|
dc.subject |
Giovanni Episcopo |
|
dc.subject |
Giovanni Episcopo |
|
dc.subject |
Giovanni Episcopo |
|
dc.subject |
Impossible catharsis |
|
dc.subject |
Impossible catharsis |
|
dc.subject |
Incipit |
|
dc.subject |
Incipit |
|
dc.subject |
Incipit |
|
dc.subject |
Incipit |
|
dc.subject |
Incipit |
|
dc.subject |
Incipit |
|
dc.subject |
Italian contemporary poetry |
|
dc.subject |
Italian contemporary poetry |
|
dc.subject |
Italian novel |
|
dc.subject |
Italian novel |
|
dc.subject |
Italian novel |
|
dc.subject |
Italian novel |
|
dc.subject |
Journalism |
|
dc.subject |
Journalism |
|
dc.subject |
La Pisanelle |
|
dc.subject |
La Pisanelle |
|
dc.subject |
La Ville Morte |
|
dc.subject |
La Ville Morte |
|
dc.subject |
Le Chèvrefeuille |
|
dc.subject |
Le Chèvrefeuille |
|
dc.subject |
Le Martyre de Saint Sébastien |
|
dc.subject |
Le Martyre de Saint Sébastien |
|
dc.subject |
Letters |
|
dc.subject |
Letters |
|
dc.subject |
Luchino Visconti |
|
dc.subject |
Luchino Visconti |
|
dc.subject |
Lyric prose |
|
dc.subject |
Lyric prose |
|
dc.subject |
L’innocente |
|
dc.subject |
L’innocente |
|
dc.subject |
Mantova |
|
dc.subject |
Mantova |
|
dc.subject |
Melody |
|
dc.subject |
Melody |
|
dc.subject |
Memory, |
|
dc.subject |
Memory, |
|
dc.subject |
Methodology |
|
dc.subject |
Methodology |
|
dc.subject |
Mystical inspiration |
|
dc.subject |
Mystical inspiration |
|
dc.subject |
Myth |
|
dc.subject |
Myth |
|
dc.subject |
Narrativity |
|
dc.subject |
Narrativity |
|
dc.subject |
Notturno |
|
dc.subject |
Notturno |
|
dc.subject |
Pascol |
|
dc.subject |
Pascol |
|
dc.subject |
Philology |
|
dc.subject |
Philology |
|
dc.subject |
Political d’Annunzio |
|
dc.subject |
Political d’Annunzio |
|
dc.subject |
Popular |
|
dc.subject |
Popular |
|
dc.subject |
René Girard |
|
dc.subject |
René Girard |
|
dc.subject |
Rhythm |
|
dc.subject |
Rhythm |
|
dc.subject |
Rite |
|
dc.subject |
Rite |
|
dc.subject |
Rome |
|
dc.subject |
Rome |
|
dc.subject |
Silence |
|
dc.subject |
Silence |
|
dc.subject |
Subject |
|
dc.subject |
Subject |
|
dc.subject |
Textual Threshold |
|
dc.subject |
Textual Threshold |
|
dc.subject |
The second Abruzzo tragedy |
|
dc.subject |
The second Abruzzo tragedy |
|
dc.subject |
Time-space |
|
dc.subject |
Time-space |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Vernon Lee |
|
dc.subject |
Vernon Lee |
|
dc.subject |
Water-land |
|
dc.subject |
Water-land |
|
dc.subject |
Word |
|
dc.subject |
Word |