Journal | Archivio d’Annunzio
Journal issue | 3 | 2016
Research Article | Su le soglie del lido
Su le soglie del lido
Spazio e paesaggio nella «Nave», tra d’Annunzio e Montemezzi
Abstract
In 1918 Italo Montemezzi set La nave to music, a close adaptation by Tito Ricordi of Gabriele d’Annunzio’s tragedy of the same name. The essay discusses the presence and role of landscape, together with its marginality, in the original play, in the ensuing libretto, in Montemezzi’s score and in the stage-set designs of significant historical stagings of the opera. It analyses the specific strategies the poet, the musician and the set designer enacted to stage a plot taking place at the eve of the foundation of Venice in the Adriatic Lagoon
Submitted: Sept. 13, 2016 | Accepted: Jan. 26, 2017 | Published Oct. 31, 2016 | Language: it
Keywords Guido Marussig • Venice • Italo Montemezzi • La Scala • Tito Ricordi • D’Annunzio • Adriatic Sea
Copyright © 2016 Raffaele Mellace. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2421-292X/AdA-3-16-5
