Archivio d’Annunzio

Rivista di Studi comparati

Journal | Archivio d’Annunzio
Journal issue | 3 | 2016
Research Article | Il paesaggio della Grecia nei Taccuini

Il paesaggio della Grecia nei Taccuini

Abstract

D’Annunzio does not dream, but really sees, leading an impressionistic and syncopated storytelling in which he portrays scenes of true reality. Léon Bakst (author of the theatrical productions of the Martyre de Saint Sébastien, La Pisanelle and Phaedra) similarly proceeds, drawing in some works, Narcisse (1911), L'Après-midi d'un Faune (1912), Daphnis et Chloé (1912), Helene de Sparte (1912), those figurative motifs that the poet notes in his travels, such as the intense green of nature, the austere red rocks, the arid and wild lands.


Open access | Peer reviewed

Submitted: June 21, 2016 | Accepted: Oct. 1, 2016 | Published Oct. 31, 2016 | Language: it

Keywords Landscape • Hélène de Sparte • Daphnis et Chloé • Narcisse • Léon Bakst • Gabriele d’Annunzio • Taccuini • L’Après-midi d’un Faune

Copyright © 2016 Carlo Santoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/2421-292X/AdA-3-16-3


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