62 | 2026
open access | peer reviewedKeywords Armenian–European artistic exchange • Historical ethnomusicology • Catholic missions • Hagiographical iconography․ Cross-cultural visual • Indirect translation • Early modern Europe • Creative translation • Inclusive Linguistic Education • Object focus clefts • Varieties • Mevlevi ayin • Semantic features • Synchronic variation • Developmental dyslexia • Gender perception • Chinese Second Language Acquisition • Japanese language • Standard negation • Trauma • Typology • Bao Tianxiao • Number interpretation • Armenian diaspora • Ottoman music • Mark Twain • Devotional prints • Documentary film • Hara Hōitsuan • Contextual inference • Memory • Bare nouns • Battle of Okinawa • Japanese cinema • Confessional imagery • Orientalism • Plural markers • Odia • Okinawa • Focus realization • L2 Literacy Acquisition • Chinese narrow-focus clefts • Cross-linguistic Studies • Saint Gregory the Illuminator • Turkish classical music • Corpus-based analysis • European print culture
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2026/62 | Published Forthcoming | Language it, en
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