Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords RetranslationIntercultural receptionRhymeRussiaDramaturgyGherardo MaroneLa vida es sueñoHomopoeticsAugust SangAccessibilityRuggero JacobbiSpanish classical theatreMetreJean-Michel DépratsThe translation of Enrica CancelliereLiterary canonRaffaello MelaniFidelityAin KaalepHeteropoeticsLiteratureSpanish Golden Age dramaHispanismL’audace BelisaSubtitlesAdaptationVerse translationOnomasticsIl miglior giudice è il reAntoine BermanEntremesesPuns and jokesGolden Age theaterTranslation canonForeignizingTranslating theatreEstoniaStagingCervantesThe mimic methodLope de VegaPoetic translationAlteritéLa Duchessa di UrbinoStage performanceDiversifying the ClassicsLa boba para los otros y discreta para síLe bizzarrie di BelisaLawrence VenutiTranslation theoryReceptionFriedrich SchleiermacherOrazio Costa’s theatrical productionTwentieth century Italian translationsEl mejor alcalde, el reyGeorge SteinerTheatre translationSigismund’s lamentTranslationLembit PetersonSurtitlesVerbal humourDavid Johnston

Thema codes CFPATDDSB2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en