Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Raffaello Melani • Rhyme • Literature • Il miglior giudice è il re • Spanish Golden Age drama • Surtitles • Translation canon • Le bizzarrie di Belisa • Ain Kaalep • Golden Age theater • Translation theory • Sigismund’s lament • Verbal humour • Friedrich Schleiermacher • Lawrence Venuti • Literary canon • Alterité • Adaptation • Estonia • Lope de Vega • Metre • Translation • Diversifying the Classics • Gherardo Marone • August Sang • Foreignizing • Fidelity • Heteropoetics • George Steiner • Poetic translation • Ruggero Jacobbi • Puns and jokes • La boba para los otros y discreta para sí • Cervantes • Stage performance • Subtitles • Onomastics • Orazio Costa’s theatrical production • El mejor alcalde, el rey • Twentieth century Italian translations • David Johnston • Lembit Peterson • Hispanism • Spanish classical theatre • Homopoetics • Intercultural reception • La vida es sueño • Accessibility • Staging • Verse translation • Theatre translation • The translation of Enrica Cancelliere • Jean-Michel Déprats • The mimic method • Antoine Berman • Reception • Translating theatre • Dramaturgy • L’audace Belisa • Entremeses • Russia • La Duchessa di Urbino • Retranslation

Thema codes CFP • ATD • DSB • 2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language en, es