Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Literature • Puns and jokes • Hispanism • La boba para los otros y discreta para sí • Onomastics • Theatre translation • Spanish classical theatre • Stage performance • David Johnston • Homopoetics • The translation of Enrica Cancelliere • Intercultural reception • Entremeses • Dramaturgy • Metre • Russia • Lawrence Venuti • Ain Kaalep • Foreignizing • Staging • George Steiner • Friedrich Schleiermacher • The mimic method • Il miglior giudice è il re • Jean-Michel Déprats • Verse translation • Lope de Vega • Raffaello Melani • Retranslation • Golden Age theater • Heteropoetics • Lembit Peterson • Poetic translation • Rhyme • Surtitles • Diversifying the Classics • El mejor alcalde, el rey • Verbal humour • Alterité • Adaptation • Accessibility • Translation • August Sang • Le bizzarrie di Belisa • Sigismund’s lament • Fidelity • Antoine Berman • Reception • Estonia • Subtitles • Translating theatre • Translation canon • Literary canon • Cervantes • Ruggero Jacobbi • Spanish Golden Age drama • Twentieth century Italian translations • L’audace Belisa • Orazio Costa’s theatrical production • La Duchessa di Urbino • Gherardo Marone • La vida es sueño • Translation theory

Thema codes CFP • ATD • DSB • 2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en