Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Golden Age theaterHeteropoeticsEstoniaJean-Michel DépratsSurtitlesDramaturgyTranslation canonForeignizingAdaptationDavid JohnstonCervantesAlteritéLa boba para los otros y discreta para síLe bizzarrie di BelisaSubtitlesSpanish Golden Age dramaLawrence VenutiLa vida es sueñoAntoine BermanLa Duchessa di UrbinoL’audace BelisaAugust SangThe mimic methodPoetic translationTwentieth century Italian translationsLiteratureRetranslationStagingGherardo MaroneDiversifying the ClassicsRussiaReceptionRhymeSpanish classical theatrePuns and jokesAccessibilityEntremesesRaffaello MelaniFriedrich SchleiermacherLope de VegaTranslating theatreIntercultural receptionOnomasticsFidelityThe translation of Enrica CancelliereHomopoeticsTranslationVerse translationMetreGeorge SteinerIl miglior giudice è il reEl mejor alcalde, el reyLembit PetersonLiterary canonTranslation theorySigismund’s lamentStage performanceAin KaalepTheatre translationHispanismRuggero JacobbiVerbal humourOrazio Costa’s theatrical production

Thema codes CFPATDDSB2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en