El teatro clásico español y su traducción entre texto literario y práctica escénica
open access | peer reviewed
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edited by
- Claudia Demattè - University of Trento - email
- Eugenio Maggi - University of Bologna - email
- Marco Presotto - University of Trento - email
Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.
Keywords Orazio Costa’s theatrical production • Lawrence Venuti • David Johnston • August Sang • Entremeses • Adaptation • Cervantes • Subtitles • Translation • Metre • Rhyme • Onomastics • Literature • The mimic method • Translating theatre • Raffaello Melani • Golden Age theater • Puns and jokes • Intercultural reception • Stage performance • Theatre translation • George Steiner • Retranslation • Staging • Dramaturgy • Twentieth century Italian translations • Il miglior giudice è il re • Verse translation • Russia • Spanish Golden Age drama • Estonia • Alterité • Accessibility • Hispanism • Poetic translation • Literary canon • Verbal humour • Fidelity • Le bizzarrie di Belisa • Translation canon • Heteropoetics • Ruggero Jacobbi • El mejor alcalde, el rey • L’audace Belisa • Gherardo Marone • Homopoetics • Diversifying the Classics • Spanish classical theatre • Jean-Michel Déprats • La boba para los otros y discreta para sí • Sigismund’s lament • Antoine Berman • Foreignizing • Ain Kaalep • La Duchessa di Urbino • Surtitles • Friedrich Schleiermacher • La vida es sueño • Lope de Vega • Translation theory • Reception • Lembit Peterson • The translation of Enrica Cancelliere
Thema codes CFP • ATD • DSB • 2ADS
Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en
Copyright © 2025 Claudia Demattè, Eugenio Maggi, Marco Presotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.