Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords David Johnston • Orazio Costa’s theatrical production • Poetic translation • Lope de Vega • Estonia • Foreignizing • Dramaturgy • Adaptation • Verbal humour • Verse translation • Metre • Literary canon • Retranslation • El mejor alcalde, el rey • Gherardo Marone • Surtitles • Translation • Translation canon • August Sang • Onomastics • Fidelity • Golden Age theater • Homopoetics • Hispanism • George Steiner • Translation theory • Literature • The translation of Enrica Cancelliere • Ain Kaalep • Il miglior giudice è il re • Lembit Peterson • Reception • Sigismund’s lament • Translating theatre • Russia • Theatre translation • Stage performance • Puns and jokes • Twentieth century Italian translations • Friedrich Schleiermacher • Diversifying the Classics • Staging • Alterité • La Duchessa di Urbino • Intercultural reception • La boba para los otros y discreta para sí • Jean-Michel Déprats • Heteropoetics • Ruggero Jacobbi • Subtitles • Rhyme • Spanish classical theatre • Antoine Berman • Raffaello Melani • Cervantes • Le bizzarrie di Belisa • Entremeses • Lawrence Venuti • Spanish Golden Age drama • L’audace Belisa • Accessibility • The mimic method • La vida es sueño

Thema codes CFP • ATD • DSB • 2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en