Library of Rassegna iberistica

El teatro clásico español y su traducción entre texto literario y práctica escénica

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open access | peer reviewed

Abstract
The book reflects on translating Golden Age theater in the contemporary era. Following the publication of the project’s founding volume in 2020, a diverse group of scholars focuses here on theoretical aspects and unique case studies. They explore new perspectives on the relationship between translation work, the demands of performative texts, and cultural dissemination in a global context.

Keywords Antoine BermanTranslationLe bizzarrie di BelisaTranslation theoryDiversifying the ClassicsRhymeTheatre translationAlteritéGherardo MaroneLa vida es sueñoReceptionHomopoeticsLa boba para los otros y discreta para síStagingSigismund’s lamentCervantesForeignizingTranslation canonTranslating theatreAugust SangSpanish Golden Age dramaLiterary canonIntercultural receptionEntremesesLembit PetersonFriedrich SchleiermacherVerse translationRuggero JacobbiEl mejor alcalde, el reyAin KaalepAccessibilityHispanismJean-Michel DépratsLawrence VenutiLope de VegaRetranslationSpanish classical theatreThe mimic methodThe translation of Enrica CancelliereRussiaDavid JohnstonDramaturgyLiteratureTwentieth century Italian translationsGolden Age theaterFidelityRaffaello MelaniStage performanceIl miglior giudice è il reOnomasticsL’audace BelisaEstoniaAdaptationSurtitlesHeteropoeticsVerbal humourGeorge SteinerPuns and jokesLa Duchessa di UrbinoMetreOrazio Costa’s theatrical productionPoetic translationSubtitles

Thema codes CFPATDDSB2ADS

Permalink http://doi.org/10.30687/978-88-6969-948-1 | e-ISBN 978-88-6969-948-1 | Published Oct. 27, 2025 | Language es, en