Series | Quaderni di Venezia Arti
Edited book | In my End is my Beginning
Chapter | Suspending the Crisis: die ewige Wippe in the Eighteenth Century
Abstract
In 1935’s work, Paul Hazard identifies in the period between 1680 and 1715 as the occurrence of a crisis in European consciousness, marked by a transition from a prior belief system to the formulation of new sensitive frameworks for interpreting the world. simultaneously, artistic productions, notably French, return to display the previously disappeared image of the seesaw. Within three principal case studies, this paper interprets the image of the swing as a visual metaphor for the suspension of the European consciousness, deferring the consequences of inaction while preserving the latent potential for a playful renewal.
Submitted: Oct. 1, 2024 | Published Dec. 11, 2024 | Language: en
Keywords 18th-century art • Hazard • Seesaw • France
Copyright © 2024 Ester Giachetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-878-1/015
Through Language: On Form and Meaning
Through Exhibitions and Archives: Inquiries on the Sociopolitical Engagement of Cultural Institutions
Through the Zone of Interest: Reframing the Identity and its Geographies
Through the Human: The Anthropos on the Stage of Crisis
Through Montage: Choreographies of Thought in a Field of Forces
Through the History of Things: On Objects and Their Role in Cultural and Historical Crises
Through Iconographies: Interpreting Symbols of Bewilderment
Coda
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_21633 |
dc.contributor.author |
Giachetti Ester |
dc.title |
Suspending the Crisis: die ewige Wippe in the Eighteenth Century |
dc.type |
Chapter |
dc.language.iso |
en |
dc.description.abstract |
In 1935’s work, Paul Hazard identifies in the period between 1680 and 1715 as the occurrence of a crisis in European consciousness, marked by a transition from a prior belief system to the formulation of new sensitive frameworks for interpreting the world. simultaneously, artistic productions, notably French, return to display the previously disappeared image of the seesaw. Within three principal case studies, this paper interprets the image of the swing as a visual metaphor for the suspension of the European consciousness, deferring the consequences of inaction while preserving the latent potential for a playful renewal. |
dc.relation.ispartof |
Quaderni di Venezia Arti |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.issued |
2024-12-11 |
dc.dateSubmitted |
2024-10-01 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-878-1/suspending-the-crisis-die-ewige-wippe-in-the-eight/ |
dc.identifier.doi |
10.30687/978-88-6969-878-1/015 |
dc.identifier.eissn |
2784-8868 |
dc.identifier.isbn |
|
dc.identifier.eisbn |
978-88-6969-878-1 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
18th-century art |
dc.subject |
France |
dc.subject |
Hazard |
dc.subject |
Seesaw |
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