Series | Quaderni di Venezia Arti
Edited book | In my End is my Beginning
Chapter | Art in the Capitalocene from Awareness to Action
Abstract
Over the past two decades, ‘eco-art’ increasingly focused on issues related to climate collapse and the so-called Anthropocene, often embracing apocalyptic and destructive narratives. Through two case studies of Italian artists Marzia Migliora and Luigi Coppola, this contribution aims to highlight how some of these practices can range from raising awareness to inspiring action, using tools such as the archeology of social imaginary, utopia, and practices of commoning, effectively promoting sustainability and societal change. The article underscores the ability of eco-art to generate new imaginaries that transcend visual representation, acting as catalysts for cultural and environmental change.
Submitted: Oct. 1, 2024 | Published Dec. 11, 2024 | Language: en
Keywords Luigi Coppola • Marzia Migliora • Social imaginaries • Capitalocene • Eco-art
Copyright © 2024 Virginia Vannucchi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-878-1/010