Studi e ricerche

Venezia nello sguardo di due viaggiatori greci del Novecento: Kostas Uranis e Ghiannis Michaìl Panaghiotòpulos

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Abstract
Travel literature serves as a privileged lens for interpreting relationships between different countries. Through the analysis of the travel diaries of two Greek writers, Kostas Uranis and Ghiannis Michaìl Panaghiotòpulos, the article explores the representation of Venice, an iconic city in the history of relations between Greece and Italy. The authors’ accounts portray a magical and decadent city, a bridge between East and West, reflecting the conflict between modernity and tradition, perceived as a cultural crossroads and a symbol of both decay and beauty. Uranis and Panaghiotòpulos, with their unique yet complementary styles, transform the Serenissima into a living stage, where history meets myth and beauty mingles with melancholy. The text analysis, beyond offering the travellers’ perspective capable of capturing the essence of the historic lagoon city, reveals profound reflections on cultural identity and the sense of belonging


Open access | Peer reviewed

Submitted: July 5, 2024 | Accepted: Aug. 12, 2024 | Published Oct. 31, 2024 | Language: it

Keywords Greek travellers • East and West • Venice representation • Cultural identity • Travel literature

Copyright © 2024 Giulia Sorrentino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-868-2/017


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