Series | Library of Rassegna iberistica
Edited book | Constelaciones familiares en la narrativa iberoamericana moderna
Chapter | Verso l’ipermodernità
Abstract
The article aims to explore the dialogue existing between Levantado do Chão, first published in 1980 by the Nobel Prize José Saramago soon after the Carnation Revolution (1974), and Cemitério de Pianos, written in 2006 by José Luís Peixoto. While Saramago’s multi-generational novel conveys a hope for historical progress at the beginning of the democratic era in Portugal, eternity and repetition dominate in the family vicissitudes of Peixoto’s work as a symptom for the new hypermodern sensibility at the culmination of the transition to the new millennium.
Submitted: Oct. 4, 2023 | Accepted: Feb. 23, 2024 | Published June 20, 2024 | Language: it
Keywords Hypermodernity • Multi-generational novel • José Saramago • History • José Luís Peixoto
Copyright © 2024 Serena Cianciotto. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-833-0/004