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Le ballate delle donne nel Decameron

Elisa Curti    Università Ca’ Foscari Venezia, Italia    

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abstract

This paper considers the ballads of the Decameron, examining their complex relationship with the narrative structure of the entire work. After providing a preliminary overview of the studies dedicated to this subject and the various critical approaches to date, the essay focuses on the ballads sung by the women of the brigade and the protagonists of the novellas. Recurring aspects, such as the difficulty of interpretation inherent in the poetic text, will also be considered. The last part of the paper comprises an analysis of the final ballad of the Decameron, sung by Fiammetta.

Published
July 17, 2024
Accepted
April 4, 2023
Submitted
March 6, 2024
Language
IT
ISBN (PRINT)
978-88-6969-822-4
ISBN (EBOOK)
978-88-6969-821-7

Keywords: JealousyNovellasDecameronBalladsSemantic ambiguity

Copyright: © 2024 Elisa Curti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.