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Curatorial studies

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Di due miei reenactments: Opera o comportamento e La ripetizione differente

Renato Barilli    Alma Mater Studiorum - Università di Bologna, Italia

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abstract

Two reenactments are the subjects of this essay: the first devoted to a section of the 1972 Venice Biennale, where Italian participation was entitled Opera o comportamento (Work or Attitude), edited by Francesco Arcangeli and Renato Barilli, reconstituted in summer 2017 for the Centro per l’Arte Contemporanea Luigi Pecci in Prato as Comportamento. Biennale di Venezia. Padiglione Italia and the re-making of an exhibition Barilli held in 1974 at the Fondazione Giorgio Marconi in Milan, curated in the same place in 2014. After 1972 Renato Barilli perceived the radical change in time that would lead to the so-called Mode Rétro, or Citationism, also falling within the general sphere of Postmodernism, but he preferred to name those phenomena of reenactments, after a pair made by the French philosopher Gilles Deleuze, “different repetitions”.

Published
Dec. 5, 2023
Accepted
July 19, 2023
Submitted
June 19, 2023
Language
IT
ISBN (EBOOK)
978-88-6969-760-9

Keywords: Exhibition Gennnaio 70 • Germano Olivotto • Gino De Dominicis • Luciano Fabro • Francesco Arcangeli • Centro per l’Arte Contemporanea Luigi Pecci di Pra • Postmodernism • Venice Biennale 1972 • Fondazione Giorgio Marconi • Reenactment • Franco Vaccari • Mario Merz

permalink: http://doi.org/10.30687/978-88-6969-760-9/003

Copyright: © 2023 Renato Barilli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.