Series |
Studi e ricerche
Edited book | Postcolonial Publics: Art and Citizen Media in Europe
Chapter | Epistemic Decolonization of Migration: Digital Witnessing of Crisis and Borders in For Sama
Epistemic Decolonization of Migration: Digital Witnessing of Crisis and Borders in For Sama
- Nadica Denić - Universiteit van Amsterdam, Nederland - email
Abstract
This chapter analyses how digital witnessing of migration in documentary auto-ethnography contributes towards epistemic decolonization. I focus on For Sama (Waad al-Kateab and Edward Watts, 2019) as a case study, a letter-film that memorializes key events in al-Kateab’s everyday life during the Syrian Civil War that shaped her decision to migrate to Europe. By considering the relation between documentary, citizen media, and decoloniality, I argue that digital witnessing in For Sama provides affective access to migration motivations that challenges their reductionist categorization and pluralizes audience understanding of ‘crisis’ and ‘borders’.
Submitted: July 13, 2022 | Accepted: Oct. 21, 2022 | Published Jan. 26, 2023 | Language: en
Keywords Migrant Voices • Decoloniality of knowledge • Documentary auto-ethnography • Borderscape • Crisis ordinariness
Copyright © 2023 Nadica Denić. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-677-0/006
- Introduction to Postcolonial Publics: Art and Citizen Media
- Bolette B. Blaagaard, Sabrina Marchetti, Sandra Ponzanesi, Shaul Bassi
- Jan. 26, 2023
Section 1. Postcolonial Social Media Activism
- Citizen media as Flesh Witnessing: Embodied Testimonies of War in Western News Journalism
- Lilie Chouliaraki, Omar Al-Ghazzi
- Jan. 26, 2023
- Rhythm-Relay-Relation: Anticolonial Media Activisms in Athens
- Tom Western
- Jan. 26, 2023
- Podcasting Race: Participatory Media Activism in Postcolonial Italy
- Giulia Fabbri, Caterina Romeo
- Jan. 26, 2023
- Methodologies of Blackness in Italy: Past, Present, and Futures
- Gabriele Lazzari
- Jan. 26, 2023
Section 2. Postcolonial Media Publics
- Cinema as Inquiry: On Art, Knowledge, and Justice
- Frances Negrón-Muntaner
- Jan. 26, 2023
- Epistemic Decolonization of Migration: Digital Witnessing of Crisis and Borders in For Sama
- Nadica Denić
- Jan. 26, 2023
- Serious laughs: Blackness, Humour and Social Media in Contemporary France
- Alessandro Jedlowski
- Jan. 26, 2023
- Decolonial Mediatic Artivist Engagement and the Palestinian Question
- Luigi Carmine Cazzato, Annarita Taronna
- Jan. 26, 2023
Section 3. Postcolonial Artivism
- Dislocation and Creative Citizenship: Romanian Diasporic Artists in Europe
- Ruxandra Trandafoiu
- Jan. 26, 2023
- The Walk: A Participatory Performative Action Across the Borders of Europe
- Rosaria Ruffini
- Jan. 26, 2023
-
Rendering Race Through a Paranoid Postsocialist Lens
Activist Curating and Public Engagement in the Postcolonial Debate in Eastern Europe - Redi Koobak, Margaret Tali
- Jan. 26, 2023
- Bowie in Berlin, or, the Postcolonial Intellectual Unmasked
- Graham Huggan
- Jan. 26, 2023
Section 4. Postcolonial Story-Telling
- The African Descendant, an ‘Invisible Man’ to the Media
- Vittorio Longhi
- Jan. 26, 2023
-
The Refugee Tales Project as Transmedia Activism and the Poetics of Listening
Towards Decolonial Citizenship - Lucio De Capitani
- Jan. 26, 2023
- Migrant Multimodal Narratives: From Blogs and Print Media to YouTube
- Maria Festa
- Jan. 26, 2023
-
‘Following’ Teju Cole’s ‘Black Portraitures’
On Zigzagging Between (Digital) Literature, Photography, Art History, Music and Much More… - Carmen Concilio
- Jan. 26, 2023
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_15873 |
|
dc.contributor.author |
Denić Nadica |
|
dc.title |
Epistemic Decolonization of Migration: Digital Witnessing of Crisis and Borders in For Sama |
|
dc.type |
Chapter |
|
dc.language.iso |
en |
|
dc.description.abstract |
This chapter analyses how digital witnessing of migration in documentary auto-ethnography contributes towards epistemic decolonization. I focus on For Sama (Waad al-Kateab and Edward Watts, 2019) as a case study, a letter-film that memorializes key events in al-Kateab’s everyday life during the Syrian Civil War that shaped her decision to migrate to Europe. By considering the relation between documentary, citizen media, and decoloniality, I argue that digital witnessing in For Sama provides affective access to migration motivations that challenges their reductionist categorization and pluralizes audience understanding of ‘crisis’ and ‘borders’. |
|
dc.relation.ispartof |
Studi e ricerche |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.issued |
2023-01-26 |
|
dc.dateAccepted |
2022-10-21 |
|
dc.dateSubmitted |
2022-07-13 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-678-7/epistemic-decolonization-of-migration-digital-witn/ |
|
dc.identifier.doi |
10.30687/978-88-6969-677-0/006 |
|
dc.identifier.issn |
2610-993X |
|
dc.identifier.eissn |
2610-9123 |
|
dc.identifier.isbn |
978-88-6969-678-7 |
|
dc.identifier.eisbn |
978-88-6969-677-0 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Borderscape |
|
dc.subject |
Crisis ordinariness |
|
dc.subject |
Decoloniality of knowledge |
|
dc.subject |
Documentary auto-ethnography |
|
dc.subject |
Migrant Voices |
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