8 • The Stupa. The Execution

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DC Field	Value
dc.identifier	ECF_chapter_6930
dc.contributor.author	Olivieri Luca M.
dc.title	8 • The Stupa. The Execution
dc.type	Chapter
dc.language.iso	en
dc.description.abstract	Coming, now, to the details of the upper part of the drum, we must also take a closer look at the work of the stonecutters, in the meantime underway under the guidance of the Master, who has sketched out the design of the panels and dividing elements. The style shown by the school of sculpture is the same as that of the earlier sculptures of Butkara I and was aptly and concisely defined by Domenico Faccenna as “drawing style” (stile disegnativo) (Faccenna in Faccenna, Callieri, Filigenzi 2003, 287‑306). Here we are already in an advanced, mature phase of this style, and certainly one of the finest examples of it.
dc.relation.ispartof	Marco Polo
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-04-14
dc.dateAccepted	2021-08-27
dc.dateSubmitted	2021-07-19
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-577-3/8-the-stupa-the-execution/
dc.identifier.doi	10.30687/978-88-6969-578-0/010
dc.identifier.issn	2785-5899
dc.identifier.eissn	2785-5627
dc.identifier.isbn	978-88-6969-577-3
dc.identifier.eisbn	978-88-6969-578-0
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes

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8 • The Stupa. The Execution

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abstract

Coming, now, to the details of the upper part of the drum, we must also take a closer look at the work of the stonecutters, in the meantime underway under the guidance of the Master, who has sketched out the design of the panels and dividing elements. The style shown by the school of sculpture is the same as that of the earlier sculptures of Butkara I and was aptly and concisely defined by Domenico Faccenna as “drawing style” (stile disegnativo) (Faccenna in Faccenna, Callieri, Filigenzi 2003, 287‑306). Here we are already in an advanced, mature phase of this style, and certainly one of the finest examples of it.

Published

April 14, 2022

Accepted

Aug. 27, 2021

Submitted

July 19, 2021

Language

ISBN (PRINT)

978-88-6969-577-3

ISBN (EBOOK)

978-88-6969-578-0

permalink: http://doi.org/10.30687/978-88-6969-578-0/010

Copyright: © 2022 Luca M. Olivieri. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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