Series |
The Future Contemporary
Volume 1 | Edited book | Moving Spaces
Moving Spaces
Enacting Dance, Performance, and the Digital in the Museum
open access | peer reviewed-
edited by
- Susanne Franco - Università Ca’ Foscari Venezia, Italia - email
- Gabriella Giannachi - University of Exeter, UK - email
Abstract
This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. The tasks designed by artists who are involved in the European project Dancing Museums. The Democracy of Beings (2018-21) respond to the essays by suggesting a series of body-mind practices that readers could perform between the various chapters to experience how theory may affect their bodies.
Keywords Augmented and mixed reality • Difficult heritage • Danish colonialism • Activation • Virtual • Decoloniality • Digital • Performance • The public • Venice • Activism • Jeannaette Ehlers • Museum • African-heritage dance • Museumised space • Choreography • Dance in the museum • Dance and performance in the museum • Black dance • Black Commons • Participatory Art • New media art • Marseille • Colonial legacies • Documentation • Address • Community • Value • Creolisation • Re-enactment • Afrofuturism • Afropessimism • Conservation • Aesthetic subjectivity • Deep space • Archive • Situation • Presence
Permalink http://doi.org/10.30687/978-88-6969-534-6 | e-ISBN 978-88-6969-534-6 | ISBN (PRINT) 978-88-6969-535-3 | Number of pages 156 | Dimensions 17x25.5cm | Published Sept. 16, 2021 | Language en
Copyright © 2021 Susanne Franco, Gabriella Giannachi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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Introduction
Moving Spaces, Rewriting Museology Through Practice - Susanne Franco, Gabriella Giannachi
- Sept. 16, 2021
- Task by Eleanor Sikorski
- Sept. 16, 2021
- Addressing the Situation. Xavier le Roy’s Retrospective and Aesthetic Subjectivity
- Gerald Siegmund
- Sept. 16, 2021
-
Task by Ana Pi
A Still and Warm Dance to a Space - Sept. 16, 2021
- Creolised Dance, Museumised Space: Jeannette Ehlers and Decolonial Re-Edification
- Ananya Jahanara Kabir
- Sept. 16, 2021
- Task by Quim Bigas
- Sept. 16, 2021
- Dance Well and Diary of a Move: From Artistic Projects to Social Processes
- Susanne Franco
- Sept. 16, 2021
- Task by Monica Gillette
- Sept. 16, 2021
-
“Animated Words, Will Accompany My Gestures”
Seismographic Choreographies of Difficult Heritage in Museums - Jonas Tinius
- Sept. 16, 2021
- Task by Ingrid Bergen Myhre
- Sept. 16, 2021
- Dancing the Museum Black: Activist Animations of the Social
- Thomas F. DeFrantz
- Sept. 16, 2021
-
Task by Ariadne Mikou
A Casual Meditation for Anywhere and Anytime - Sept. 16, 2021
- Into the Space of the Digital Museum
- Gabriella Giannachi
- Sept. 16, 2021
- Task by Masako Matsushita
- Sept. 16, 2021
- New Approaches to Documenting Performance in the Museum: Value, History, and Strategy
- Acatia Finbow
- Sept. 16, 2021
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_book_496 |
|
dc.creator |
Franco Susanne |
|
dc.creator |
Giannachi Gabriella |
|
dc.title |
Moving Spaces. Enacting Dance, Performance, and the Digital in the Museum |
|
dc.type |
Edited book |
|
dc.language.iso |
en |
|
dc.description.abstract |
This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. The tasks designed by artists who are involved in the European project Dancing Museums. The Democracy of Beings (2018-21) respond to the essays by suggesting a series of body-mind practices that readers could perform between the various chapters to experience how theory may affect their bodies. |
|
dc.relation.ispartof |
The Future Contemporary |
|
dc.identifier.doi |
10.30687/978-88-6969-534-6 |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2021-09-16 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-535-3/ |
|
dc.identifier.issn |
2785-1613 |
|
dc.identifier.eissn |
2785-0986 |
|
dc.identifier.isbn |
978-88-6969-535-3 |
|
dc.identifier.eisbn |
978-88-6969-534-6 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
yes |
|
dc.subject |
Activation |
|
dc.subject |
Activation |
|
dc.subject |
Activism |
|
dc.subject |
Activism |
|
dc.subject |
Activism |
|
dc.subject |
Address |
|
dc.subject |
Address |
|
dc.subject |
Aesthetic subjectivity |
|
dc.subject |
Aesthetic subjectivity |
|
dc.subject |
African-heritage dance |
|
dc.subject |
African-heritage dance |
|
dc.subject |
Afrofuturism |
|
dc.subject |
Afrofuturism |
|
dc.subject |
Afropessimism |
|
dc.subject |
Afropessimism |
|
dc.subject |
Archive |
|
dc.subject |
Archive |
|
dc.subject |
Augmented and mixed reality |
|
dc.subject |
Augmented and mixed reality |
|
dc.subject |
Black Commons |
|
dc.subject |
Black Commons |
|
dc.subject |
Black dance |
|
dc.subject |
Black dance |
|
dc.subject |
Choreography |
|
dc.subject |
Choreography |
|
dc.subject |
Colonial legacies |
|
dc.subject |
Colonial legacies |
|
dc.subject |
Community |
|
dc.subject |
Community |
|
dc.subject |
Conservation |
|
dc.subject |
Conservation |
|
dc.subject |
Creolisation |
|
dc.subject |
Creolisation |
|
dc.subject |
Dance and performance in the museum |
|
dc.subject |
Dance in the museum |
|
dc.subject |
Dance in the museum |
|
dc.subject |
Dance in the museum |
|
dc.subject |
Dance in the museum |
|
dc.subject |
Danish colonialism |
|
dc.subject |
Danish colonialism |
|
dc.subject |
Decoloniality |
|
dc.subject |
Decoloniality |
|
dc.subject |
Decoloniality |
|
dc.subject |
Deep space |
|
dc.subject |
Deep space |
|
dc.subject |
Difficult heritage |
|
dc.subject |
Difficult heritage |
|
dc.subject |
Difficult heritage |
|
dc.subject |
Digital |
|
dc.subject |
Documentation |
|
dc.subject |
Documentation |
|
dc.subject |
Documentation |
|
dc.subject |
Jeannaette Ehlers |
|
dc.subject |
Jeannaette Ehlers |
|
dc.subject |
Marseille |
|
dc.subject |
Marseille |
|
dc.subject |
Museum |
|
dc.subject |
Museum |
|
dc.subject |
Museum |
|
dc.subject |
Museum |
|
dc.subject |
Museum |
|
dc.subject |
Museum |
|
dc.subject |
Museumised space |
|
dc.subject |
Museumised space |
|
dc.subject |
New media art |
|
dc.subject |
New media art |
|
dc.subject |
Participatory Art |
|
dc.subject |
Participatory Art |
|
dc.subject |
Participatory Art |
|
dc.subject |
Performance |
|
dc.subject |
Performance |
|
dc.subject |
Presence |
|
dc.subject |
Presence |
|
dc.subject |
Re-enactment |
|
dc.subject |
Re-enactment |
|
dc.subject |
Re-enactment |
|
dc.subject |
Re-enactment |
|
dc.subject |
Situation |
|
dc.subject |
Situation |
|
dc.subject |
The public |
|
dc.subject |
The public |
|
dc.subject |
Value |
|
dc.subject |
Value |
|
dc.subject |
Venice |
|
dc.subject |
Venice |
|
dc.subject |
Virtual |
|
dc.subject |
Virtual |
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