Series | Eurasian Studies
Edited book | Armenian Art. Critical History and New Perspectives
Chapter | L’arte degli Yovnatʽanean. Stato degli studi e proposte di ricerca
Abstract
This text is about the main artistic production of the Armenian family of painters Yovnatʽanean – named after its forefather Nałaš Yovnatʽan – and it focuses especially on the state of the art of this subject. As leading figures of the origins of ‘modern’ Armenian painting, the Yovnatʽaneans represent a central phase in the artistic path of their people. Moreover, they allow us to address some more general historiographic issues linked to studies on Armenian culture and to the development of art in Southern Caucasus and in Central Asia between the 17th and the 19th century.
Published Dec. 21, 2020 | Language: it
Keywords Yovnatʽanean family • Armenian-Georgian cultural ties • Early Modern Armenian Studies • Nakhchivan • Etchmiadzin cathedral
Copyright © 2020 Marco Ruffilli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-469-1/011