Series | Library of Rassegna iberistica
Edited book | Narratives of Violence
Chapter | Colonial Encounters in Gendered Settings
Colonial Encounters in Gendered Settings
Reflections on Mrīrīda nʾait ʿAtiq, a Moroccan Amazīgh Courtesan and Singing Poet
Abstract
Mrīrīda nʾait ʿAtiq, or Mrīrīda ūt-ʿAtiq as she is locally known, is an Amazīgh popular troubadour who has been brought to oblivion by historiography writings. She was a courtesan and a traveling poet whose physical wanderings in the mountainous villages and valleys of Tasāout and Azilal are retold in her oral and aural poetry. Curiously, the often-scornful audiences in the public markets (souks) where she performed never got interested in Mrīrīda’s poems until she met with a French instructor who spoke the local dialect, taped the poems, translated them in French and documented them in Les Chants de la Tassaout.
Submitted: March 9, 2021 | Accepted: July 8, 2021 | Published Oct. 21, 2021 | Language: en
Keywords Morocco • Colonialism • Postcolonialism • Epistemic violence • Gender • Amazīgh culture • Mrīrīda nʾait ʿAtiq
Copyright © 2021 Lhoussain Simour. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-460-8/001
