Library of Rassegna iberistica

Series | Library of Rassegna iberistica
Volume 17 | Edited book | Places. What Places?

Places. What Places?

open access
    edited by
  • José Joaquín Parra Bañón - Universidad de Sevilla, España - email orcid profile

Abstract

Lugares ¿Qué lugares? suspects that the links and correspondences between Captain Ahab's boundless ocean and Bartleby's cenobitic office go beyond Melville: that they transcend their author and the terse universe of the word. What is the common trait between the human lap in which someone takes shelter, the cavern in which the hermit isolates himself, the enclosure limited by the parenthesis, a theatre stage, and a city built with lines or composed of images? When does a place, a space, an atmosphere, a text, an architecture, a cartography or a sequence become a place and how and why does it lose its status as such? Threaded with questions, Lugares ¿Qué lugares? gathers some hypotheses.

Keywords Space in film • Eduardo Mendoza • Disappearances • Memory • Pere Gimferrer • Pessoa : Campos • Cervantes : Carson • City • Parenthesis : Architecture • Jesús Franco • Exile • Drama • Spanish and Hipano-American narrative • Spanish cinema • Narrative space • Surrealism • Plans • Country image • Aub : Ibargüengoitia • Miss Muerte • ‘El Chino’ • Tangier • Space • Tarantino, • Literature • Underground City • Contemporary Catalan theatre • Tarantino • Venice • Necronomicon • Catalan cinema • Borges : Faulkner • Cunillé • Metro

Permalink http://doi.org/10.30687/978-88-6969-432-5 | e-ISBN 978-88-6969-432-5 | ISBN (PRINT) 978-88-6969-433-2 | Published July 9, 2020 | Language es

Copyright © 2020 José Joaquín Parra Bañón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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