Series | Library of Rassegna iberistica
Volume 17 | Edited book | Places. What Places?
Abstract
Lugares ¿Qué lugares? suspects that the links and correspondences between Captain Ahab's boundless ocean and Bartleby's cenobitic office go beyond Melville: that they transcend their author and the terse universe of the word. What is the common trait between the human lap in which someone takes shelter, the cavern in which the hermit isolates himself, the enclosure limited by the parenthesis, a theatre stage, and a city built with lines or composed of images? When does a place, a space, an atmosphere, a text, an architecture, a cartography or a sequence become a place and how and why does it lose its status as such? Threaded with questions, Lugares ¿Qué lugares? gathers some hypotheses.
Keywords Metro • Aub : Ibargüengoitia • Surrealism • Space • Jesús Franco • Country image • Tangier • Miss Muerte • ‘El Chino’ • Literature • Contemporary Catalan theatre • Venice • Memory • Space in film • City • Necronomicon • Catalan cinema • Exile • Narrative space • Spanish and Hipano-American narrative • Drama • Tarantino, • Pere Gimferrer • Disappearances • Cervantes : Carson • Spanish cinema • Eduardo Mendoza • Tarantino • Cunillé • Pessoa : Campos • Plans • Borges : Faulkner • Underground City • Parenthesis : Architecture
Permalink http://doi.org/10.30687/978-88-6969-432-5 | e-ISBN 978-88-6969-432-5 | ISBN (PRINT) 978-88-6969-433-2 | Published July 9, 2020 | Language es
Copyright © 2020 José Joaquín Parra Bañón. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
DC Field | Value |
---|---|
dc.identifier |
ECF_book_425 |
dc.creator |
Parra Bañón José Joaquín |
dc.title |
Places. What Places? |
dc.type |
Edited book |
dc.language.iso |
es |
dc.description.abstract |
Lugares ¿Qué lugares? suspects that the links and correspondences between Captain Ahab's boundless ocean and Bartleby's cenobitic office go beyond Melville: that they transcend their author and the terse universe of the word. What is the common trait between the human lap in which someone takes shelter, the cavern in which the hermit isolates himself, the enclosure limited by the parenthesis, a theatre stage, and a city built with lines or composed of images? When does a place, a space, an atmosphere, a text, an architecture, a cartography or a sequence become a place and how and why does it lose its status as such? Threaded with questions, Lugares ¿Qué lugares? gathers some hypotheses. |
dc.relation.ispartof |
Library of Rassegna iberistica |
dc.identifier.doi |
10.30687/978-88-6969-432-5 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2020-07-09 |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-433-2/ |
dc.identifier.issn |
2610-8844 |
dc.identifier.eissn |
2610-9360 |
dc.identifier.isbn |
978-88-6969-433-2 |
dc.identifier.eisbn |
978-88-6969-432-5 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
Aub : Ibargüengoitia |
dc.subject |
Aub : Ibargüengoitia |
dc.subject |
Aub : Ibargüengoitia |
dc.subject |
Borges : Faulkner |
dc.subject |
Borges : Faulkner |
dc.subject |
Borges : Faulkner |
dc.subject |
Catalan cinema |
dc.subject |
Catalan cinema |
dc.subject |
Catalan cinema |
dc.subject |
Cervantes : Carson |
dc.subject |
Cervantes : Carson |
dc.subject |
Cervantes : Carson |
dc.subject |
City |
dc.subject |
City |
dc.subject |
City |
dc.subject |
Contemporary Catalan theatre |
dc.subject |
Contemporary Catalan theatre |
dc.subject |
Contemporary Catalan theatre |
dc.subject |
Country image |
dc.subject |
Country image |
dc.subject |
Country image |
dc.subject |
Cunillé |
dc.subject |
Cunillé |
dc.subject |
Cunillé |
dc.subject |
Disappearances |
dc.subject |
Disappearances |
dc.subject |
Disappearances |
dc.subject |
Drama |
dc.subject |
Drama |
dc.subject |
Drama |
dc.subject |
Eduardo Mendoza |
dc.subject |
Eduardo Mendoza |
dc.subject |
Eduardo Mendoza |
dc.subject |
Exile |
dc.subject |
Exile |
dc.subject |
Exile |
dc.subject |
Jesús Franco |
dc.subject |
Jesús Franco |
dc.subject |
Jesús Franco |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Literature |
dc.subject |
Memory |
dc.subject |
Memory |
dc.subject |
Memory |
dc.subject |
Metro |
dc.subject |
Metro |
dc.subject |
Metro |
dc.subject |
Miss Muerte |
dc.subject |
Miss Muerte |
dc.subject |
Miss Muerte |
dc.subject |
Narrative space |
dc.subject |
Narrative space |
dc.subject |
Narrative space |
dc.subject |
Necronomicon |
dc.subject |
Necronomicon |
dc.subject |
Necronomicon |
dc.subject |
Parenthesis : Architecture |
dc.subject |
Parenthesis : Architecture |
dc.subject |
Parenthesis : Architecture |
dc.subject |
Pere Gimferrer |
dc.subject |
Pere Gimferrer |
dc.subject |
Pere Gimferrer |
dc.subject |
Pessoa : Campos |
dc.subject |
Pessoa : Campos |
dc.subject |
Pessoa : Campos |
dc.subject |
Plans |
dc.subject |
Plans |
dc.subject |
Plans |
dc.subject |
Space |
dc.subject |
Space |
dc.subject |
Space |
dc.subject |
Space |
dc.subject |
Space |
dc.subject |
Space in film |
dc.subject |
Space in film |
dc.subject |
Space in film |
dc.subject |
Spanish and Hipano-American narrative |
dc.subject |
Spanish and Hipano-American narrative |
dc.subject |
Spanish and Hipano-American narrative |
dc.subject |
Spanish cinema |
dc.subject |
Spanish cinema |
dc.subject |
Spanish cinema |
dc.subject |
Surrealism |
dc.subject |
Surrealism |
dc.subject |
Surrealism |
dc.subject |
Tangier |
dc.subject |
Tangier |
dc.subject |
Tangier |
dc.subject |
Tarantino |
dc.subject |
Tarantino |
dc.subject |
Tarantino, |
dc.subject |
Underground City |
dc.subject |
Underground City |
dc.subject |
Underground City |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
Venice |
dc.subject |
‘El Chino’ |
dc.subject |
‘El Chino’ |
dc.subject |
‘El Chino’ |
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