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• RIS
  TY - GENERIC DO - 10.30687/978-88-6969-240-6/001 UR - http://dx.doi.org/10.30687/978-88-6969-240-6/001 TI - Introduzione T2 - I grandi libri della letteratura araba AU - Suriano, Alba Rosa PY - 2018 DA - 2018/07/19 PB - Edizioni Ca' Foscari SN - 2610-9492 SN - 2610-8909 SN - 9788869692543 SN - 9788869692406 ER -
• BibTeX
  @incollection{Suriano_2018, doi = {10.30687/978-88-6969-240-6/001}, url = {https://doi.org/10.30687%2F978-88-6969-240-6%2F001}, year = 2018, month = {jul}, publisher = {Edizioni Ca{\textquotesingle} Foscari}, author = {Alba Rosa Suriano}, title = {Introduzione}, booktitle = {I grandi libri della letteratura araba} }
• CrossRef Unixref XML
  <?xml version="1.0" encoding="UTF-8"?> <doi_records> <doi_record owner="10.30687" timestamp="2018-07-19 04:20:37"> <crossref> <book book_type="edited_book"> <book_series_metadata> <series_metadata> <titles> <title>I grandi libri della letteratura araba</title> </titles> <abstract> <p> La collana vuol essere lo spazio in cui pubblicare traduzioni di opere alle quali viene riconosciuto un particolare valore nella storia della letteratura araba, e di opere che hanno segnato una svolta all'interno dell'evoluzione letteraria araba. Ogni traduzione, rigorosa dal punto di vista linguistico e traduttologico, sarà accompagnata dal testo arabo a fronte e corredata di uno studio critico introduttivo e di un apparato di note. Tutti i volumi proposti saranno sottoposti a double-blind peer review. I tratti distintivi del progetto sono da una parte l’ampiezza dell’arco cronologico coperto, che va dalla nascita della letteratura araba all’epoca moderna, e dall’altra l’assenza per i titoli proposti di una traduzione italiana fatta con criteri scientifici. Per la rappresentatività delle opere e per il carattere innovativo e rigoroso delle traduzioni, la collana intende essere un utile apporto al settore dell’arabistica italiana e più in generale delle scienze umane in Italia, e un punto di riferimento sia per gli studenti universitari e gli studiosi di letteratura araba che per i comparatisti e gli studiosi di letteratura in senso lato. La collana colma un vuoto editoriale nel panorama nazionale. Le collane attualmente esistenti ( <italic>Letteratura araba/testi</italic>  di Ariele Edizioni e <italic>Narratori arabi contemporanei</italic>  di Jouvence) hanno infatti carattere eminentemente divulgativo e una periodizzazione ben più limitata (sec. VII-XIII la prima e XX-XXI sec. la seconda). </p> </abstract> <issn media_type="print">2610-9492</issn> <issn media_type="electronic">2610-8909</issn> <publisher_item> <item_number>Serie_29</item_number> </publisher_item> <doi_data> <doi>10.30687/2610-8909</doi> <resource>http://edizionicafoscari.unive.it/collane/i-grandi-libri-della-letteratura-araba/</resource> </doi_data> </series_metadata> <contributors> <person_name sequence="first" contributor_role="author"> <given_name>Alba Rosa</given_name> <surname>Suriano</surname> <affiliation>Università degli Studi di Catania, Italia</affiliation> </person_name> </contributors> <titles> <title>al-Farāfīr</title> <subtitle>Commedia in due atti</subtitle> </titles> <abstract> <p>Based on the Hegelian dialectic of the servant-master, this comedy represents, with the sarcasm and irony typical of its author, a profound reflection on the relationships between human beings. Starting from the local, with a pungent criticism on the social and political condition of Egypt in the Sixties, the two protagonists Farfūr and the Master guide and involve the spectator in a consideration on humanity and on the meaning of life that reaches universality. Divided into two acts, the comedy has no precise indications about time and space, which is confused with the time of representation, also thanks to the involvement of actors who are among the spectators. Discussing each other on names, trades and interpersonal relationships, the two protagonists criticise corruption, poor management of public health, social inequalities, but also the intellectual class that fails to give answers to people’s practical needs. The division in two of human society is even more evident with the second act, when the author’s reflection moves towards the existing organisational and economic systems, dismantling the complexity and reducing them again to a mere servant-master relationship. The other characters of the play are functional to the discourse of Idrīs: wives and children, spectators-actors and especially the figure of the author, who gradually disappears and abandons his own creatures to their fate.</p> </abstract> <volume>2</volume> <publication_date> <month>7</month> <day>19</day> <year>2018</year> </publication_date> <isbn media_type="print">978-88-6969-254-3</isbn> <isbn media_type="electronic">978-88-6969-240-6</isbn> <publisher> <publisher_name>Edizioni Ca' Foscari</publisher_name> <publisher_place>Venice</publisher_place> </publisher> <publisher_item> <item_number>Book_322</item_number> </publisher_item> <program> <license_ref>http://creativecommons.org/licenses/by/4.0/</license_ref> </program> <doi_data> <doi>10.30687/978-88-6969-240-6</doi> <resource>http://edizionicafoscari.unive.it/libri/978-88-6969-254-3/</resource> </doi_data> </book_series_metadata> <content_item component_type="chapter" language="it"> <contributors> <person_name sequence="first" contributor_role="author"> <given_name>Alba Rosa</given_name> <surname>Suriano</surname> <affiliation>Università degli Studi di Catania, Italia</affiliation> </person_name> </contributors> <titles> <title>Introduzione</title> </titles> <abstract> <p /> </abstract> <component_number>1</component_number> <publication_date> <month>7</month> <day>19</day> <year>2018</year> </publication_date> <publisher_item> <item_number>Chapter_1909</item_number> </publisher_item> <program> <license_ref>http://creativecommons.org/licenses/by/4.0/</license_ref> </program> <doi_data> <doi>10.30687/978-88-6969-240-6/001</doi> <resource>http://edizionicafoscari.unive.it/libri/978-88-6969-254-3/introduzione/</resource> </doi_data> </content_item> </book> </crossref> </doi_record> </doi_records>
• Chicago fullnote
  Suriano, Alba Rosa. ‘Introduzione’. Al-Farāfīr (19 July 2018). doi:10.30687/978-88-6969-240-6/001.
• Modern language ass.
  Suriano, Alba Rosa. ‘Introduzione’. al-Farāfīr (2018): n. pag. Crossref. Web.