The Future Contemporary

Inquiries into Visual, Performing, and Media Arts
     topic: arts  
Aims & Scope

This peer-reviewed series will foreground original scientific contributions addressing visual, performing, and media arts in the form of authored or edited volumes. The series aims to publish new insights into a wide-range of topics so as to build an understanding of our historical present and create future legacy. The series will include studies in artistic, curatorial and institutional practices, as well as texts addressing current and future challenges in the cultural sector and in society at large through novel frameworks, theory and practices. The series will be open-access, as well as print on demand, and published in English.

General info

Boards
  • peopleBoards
    Editors-in-chief
    Cristina Baldacci, Università Ca’ Foscari Venezia, Italia    
    Miriam De Rosa, Università Ca’ Foscari Venezia, Italia    
    Susanne Franco, Università Ca’ Foscari Venezia, Italia    

    Advisory Board
    Bertha Bermudez, CPDC Creative Paths Documentation Center, Biarritz    
    Maaike Bleeker, Universiteit Utrecht, Nederland    
    Lukas Brasiskis, New York University, USA    
    Katja Centonze, Università Ca’ Foscari Venezia, Italia    
    Timmy de Laet, Universiteit Antwerpen, Koninkrijk België    
    Thomas F. DeFrantz, Northwestern University, USA    
    Annet Dekker, Universiteit van Amsterdam, Nederland    
    Peter Eckersall, The Graduate Center, CUNY, USA    
    Kate Elswit, Central School for Speech and Drama, London    
    Clare Foster, University of Cambridge, UK    
    Francesca Franco, Curator    
    Gabriella Giannachi, University of Exeter, UK    
    Jacob Lund, Aarhus Universitet, Danmark    
    Julie Perrin, Université Paris 8 Saint-Denis, France    
    Devon Schiller, Universität Wien, Österreich    
    Gerald Siegmund, Justus-Liebig-Universität Giessen, Deutschland    
    Francesca Tarocco, Università Ca’ Foscari Venezia, Italia    
    Ming Tiampo, Carleton University, Canada    
    Jonas Tinius, Humboldt Universität zu Berlin; Saarland University, Deutschland    
    Frank Vigneron, Chinese University of Hong Kong, China    

Proposal / Submission

Use the form to submit a proposal.

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Head office

Università Ca’ Foscari Venezia
Dipartimento di Filosofia e Beni Culturali
Palazzo Malcanton Marcorà
Dorsoduro 3484/D
30123 Venezia
tfc_editor@unive.it

APCs

The article processing charges are regulated by the Publisher. For more information please visit: Publish with us.

Archive
Our series and journals are archived on PHAIDRA (Permanent Hosting, Archiving and Indexing of Digital Resources and Assets), a platform for long-term archiving of digital collections: PHAIDRA.
Policy
  • listPolicy

    Ethical Code of The Future Contemporary. Inquiries into Visual, Performing, and Media Arts

    The Future Contemporary. Inquiries into Visual, Performing, and Media Arts is a peer-reviewed scientific book series whose policy is inspired by the COPE (Committee on Publication Ethics) Ethical Code.

    Publisher’s responsibilities  

    The Publisher must provide the Book Series with adequate resources and the guidance of experts, in order to carry out its role in the most professional way, aiming at the highest quality standard.

    The Publisher must have a written agreement that defines the relationship with the owner of the Book Series and/or the Editor-in-Chief. The agreement must comply with the Code of Behavior for Publishers of Scientific Journals, as established by COPE.

    The relationship among the Editor-in-Chief, the Advisory Board and the Publisher is based on the principle of publishing independence. 

    Editors’ responsibilities 

    The Editor-in-Chief and the Advisory Board of The Future Contemporary alone are responsible for the decision to publish the submitted works.

    Submitted works, after having been checked for plagiarism by means of the anti-plagiarism software Compilatio that is used by the University and is made available to us, will be sent to at least two reviewers. Final acceptance presumes the implementation of possible amendments, as required by the reviewers and under the supervision of The Future Contemporary Editor-in-Chief.

    The Future Contemporary Editor-in-Chief and Advisory Board must evaluate each submitted paper in compliance with the Book Seriesʼ policy, i.e. exclusively on the basis of its scientific content, without discrimination of race, sex, gender, creed, ethnic origin, citizenship, or the scientific, academic and political position of the Authors. 

    Allegations of misconduct

    If The Future Contemporary Editor-in-Chief and Advisory Board notice (or receive notifications of) mistakes or inaccuracies, conflict of interest or plagiarism in a published book, they will immediately warn the Author and the Publisher and will undertake the necessary actions to resolve the issue. They will do their best to correct the published content whenever they are informed that it contains scientific errors or that the authors have committed unethical or illegal acts in connection with their published work. If necessary, they will withdraw the book or publish a recantation.

    All complaints are handled in accordance with the guidelines published by the COPE.

    Concerns and complaints must be addressed to the following e-mail ecf_support@unive.it. The letter should contain the following information:

    • complainant’s personal information;
    • title, author(s), publication date, DOI;
    • complaint(s);
    • declaration that the complainant has no conflict of interest, or declaration of an actual or potential conflict of interest.

    Authors’ responsibilities

    Stylesheet

    Authors must follow the Guidelines for Authors to be downloaded from The Future Contemporary website.

    No multiple submissions

    Authors must explicitly state that their work is original in all its parts and that the submitted paper has not been previously published, nor submitted to other publishers, until the entire evaluation process is completed. Since no paper or book gets published without significant revision, earlier dissemination in conference proceedings or working papers does not preclude consideration for publication, but Authors are expected to fully disclose publication/dissemination of the material in other closely related publications, so that the overlap can be evaluated by The Future Contemporary Editor-in-Chief. 

    Authorship

    Authors are strongly encouraged to use their ORCID iD when submitting a manuscript. This will ensure the authors’ visibility and correct citation of their work.

    Authorship must be correctly attributed; all those who have given a substantial contribution to the design, organisation and accomplishment of the research the book is based on, must be indicated as Co-Authors. Please ensure that: the order of the author names is correct; the names of all authors are present and correctly spelled, and that affiliations are up-to-date.

    The respective roles of each co-author should be described in a footnote. The statement that all authors have approved the final version should be included in the disclosure.

    Conflicts of interest and financing

    Authors, under their own responsibility, must avoid any conflict of interest affecting the results obtained or the interpretations suggested. The Future Contemporary Editor-in-Chief will give serious and careful consideration to suggestions of cases in which, due to possible conflict of interest, an Author’s work should not be reviewed by a specific scholar. Authors should indicate any financing agency or the project the book stems from. 

    Quotations

    Authors must see to it that all works consulted be properly quoted. If works or words of others are used, they have to be properly paraphrased or duly quoted. Quotations between “double quotes” (or «angled quotation marks» if the text is written in a language other than English) must reproduce the exact wording of the source; under their own responsibility, Authors should carefully refrain from disguising a restyling of the source’s wording, as though it was the original formulation. 

    Any form of excessive, inappropriate or unnecessary self-citation, as well as any other form of citation manipulation, are strongly discouraged.

    Ethical Committee

    Whenever required, the research protocols must be authorised in advance by the Ethical Committee of Ca’ Foscari University of Venice. 

    Emendations

    When Authors find a mistake or an inaccuracy in their own work, they must immediately warn The Future Contemporary Editor-in-Chief, providing all the information needed to make the due adjustments. 

    Reviewers’ responsibilities

    Goal

    By means of the peer-review procedure, reviewers assist The Future Contemporary Editor-in-Chief and Advisory Board in taking decisions on the submitted works. They are expected to offer the Authors suggestions as to possible adjustments aimed at improving their contribution submission. 

    Timing and conflicts of interest

    If a reviewer does not feel up to the task of doing a given review, or if she/he is unable to read the work within the agreed schedule, she/he should notify The Future Contemporary Editor-in-Chief. Reviewers must not accept texts for which there is a conflict of interest due to previous contributions or to a competition with a disclosed author (or with an author they believe to have identified). 

    Confidentiality

    The content of the reviewed work must be considered confidential and must not be used without explicit authorisation by the Author, who is to be contacted via the editor-in-chief. Any confidential information obtained during the peer review process should not be used for other purposes.

    Collaborative attitude

    Reviewers should see themselves not as adversaries but as advocates for the field. Any comment must be done in a collaborative way and from an objective point of view. Reviewers should clearly motivate their comments and keep in mind the Golden Rule of Reviewing: “Review for others as you would have others review for you”. 

    Plagiarism

    Reviewers should report any similarity or overlapping of the work under analysis with other works known to them.