El teatro clásico español en el cine

El teatro clásico español en el cine

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Topic
chevron_rightLinguistics

Language
es

ISBN (print)
978-88-6969-331-1

ISBN (ebook)
978-88-6969-330-4

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
12 Jul 2019

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Metadata

Biblioteca di Rassegna iberistica

El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón

Simon Kroll
Universität Wien, Österreich
simon.kroll@googlemail.com

DOI 10.30687/978-88-6969-330-4/007

Submitted 20 Feb 2019
Accepted 22 Apr 2019

Abstract

The purpose of this paper is to present in a first step two almost forgotten films, based on Calderón’s play El alcalde de Zalamea: Der große Schatten (Tobis, 1942) by Paul Verhoeven and Der Richter von Zalamea (DEFA, 1955) by Martin Hellberg. These two feature films are actually closer related than their different political framework seems to indicate. After the presentation of the fundamental data, the article analyses the political readings both feature films give to the character of the honourable peasant Pedro Crespo, who turns out to by the touchstone of the political implications: in Verhoeven's film he represents the Blut und Boden-ideology and in Hellberg's he is seen as an early hero of the class conflict.

Keywords
El Alcalde de Zalamea. Calderón. Reception. Cinematographic adaption. Nazism. Communism.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Kroll Simon

dc.title

El alcalde de Zalamea: dos adaptaciones cinematográficas de Calderón

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

The purpose of this paper is to present in a first step two almost forgotten films, based on Calderón’s play El alcalde de Zalamea: Der große Schatten (Tobis, 1942) by Paul Verhoeven and Der Richter von Zalamea (DEFA, 1955) by Martin Hellberg. These two feature films are actually closer related than their different political framework seems to indicate. After the presentation of the fundamental data, the article analyses the political readings both feature films give to the character of the honourable peasant Pedro Crespo, who turns out to by the touchstone of the political implications: in Verhoeven's film he represents the Blut und Boden-ideology and in Hellberg's he is seen as an early hero of the class conflict.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-07-12

dc.dateAccepted

2019-02-20

dc.dateSubmitted

2019-04-22

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-330-4/007

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-331-1

dc.identifier.eisbn

978-88-6969-330-4

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

El Alcalde de Zalamea

dc.subject

Calderón

dc.subject

Reception

dc.subject

Cinematographic adaption

dc.subject

Nazism

dc.subject

Communism

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