El teatro clásico español en el cine

El teatro clásico español en el cine

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Topic
chevron_rightLinguistics

Language
es

ISBN (print)
978-88-6969-331-1

ISBN (ebook)
978-88-6969-330-4

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
12 Jul 2019

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Metadata

Biblioteca di Rassegna iberistica

Del teatro al cine: sobre el concepto de adaptación y sus transformaciones

Iván Gómez García
Universitat Ramon Llull, Barcelona, Espanya
ivangg@blanquerna.url.edu

DOI 10.30687/978-88-6969-330-4/002

Submitted 19 Feb 2019
Accepted 23 Apr 2019

Abstract

From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.

Keywords
Theatre. Adaptation. Cinema. Shakespeare. Audience.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Gómez García Iván

dc.title

Del teatro al cine: sobre el concepto de adaptación y sus transformaciones

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

From the origins of cinema, the relationship between theater and the moving image has been persistent. It has also been problematic in several ways. Theatre seemed a particularly suitable medium to provide film with plots, as well as actors and a sense of staging. The two media proximity has caused many misunderstandings and not a few headaches to writers, producers and film directors. The aim of this article is to trace different options for film adaptations of theatrical texts and also to understand the problems posed in several films by Orson Welles, Roman Polanski, Louis Malle, Peter Brook, and Ingmar Bergman.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-07-12

dc.dateAccepted

2019-02-19

dc.dateSubmitted

2019-04-23

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-330-4/002

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-331-1

dc.identifier.eisbn

978-88-6969-330-4

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Theatre

dc.subject

Adaptation

dc.subject

Cinema

dc.subject

Shakespeare

dc.subject

Audience

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