Simbologie e scritture in transito

Simbologie e scritture in transito

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Topic
chevron_rightSociology

Language
it

ISBN (print)
978-88-6969-113-3

ISBN (ebook)
978-88-6969-112-6

ISSN
chevron_right2610-8860

e-ISSN
chevron_right2610-9387

Date of publication
15 Dec 2016

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Metadata

Diaspore

La representación de la realidad en el teatro veneciano

Giulia Anzanel
Università Ca’ Foscari Venezia, Italia
giulia.anzanel@unive.it

DOI 10.14277/6969-112-6/DSP-6-12

Abstract

The changes the image of Venice has been subjected to in Hispano-American literature reflect the transition that characterized the human trajectory before and after the artistic revolution inspired by the aesthetic avant-garde. An analysis of the differences that typify the presence of Venice in literary works written by authors belonging to distinct historical and artistic moments emphasizes the loss of certainty that accompanied the turn of the century. At the same time, said analysis reveals the symbolic nature of the literary action that seems to be the metaphorical expression of the reality the artist lives in. For these reasons, the short stories set in Venice by Adolfo Bioy Casares and Julio Cortázar give voice to the issues affecting their time. Through their recognition of the city’s extemporal and labyrinthine nature, these two authors show that the visible is not the only possible reality and that the Fantastic is just a different way to express the complexity of existence. 

Keywords
Adolfo Bioy Casares. Julio Cortázar. Mask. Identity


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Anzanel Giulia

dc.title

La representación de la realidad en el teatro veneciano

dc.type

Book Chapter

dc.language.iso

it

dc.description.abstract

The changes the image of Venice has been subjected to in Hispano-American literature reflect the transition that characterized the human trajectory before and after the artistic revolution inspired by the aesthetic avant-garde. An analysis of the differences that typify the presence of Venice in literary works written by authors belonging to distinct historical and artistic moments emphasizes the loss of certainty that accompanied the turn of the century. At the same time, said analysis reveals the symbolic nature of the literary action that seems to be the metaphorical expression of the reality the artist lives in. For these reasons, the short stories set in Venice by Adolfo Bioy Casares and Julio Cortázar give voice to the issues affecting their time. Through their recognition of the city’s extemporal and labyrinthine nature, these two authors show that the visible is not the only possible reality and that the Fantastic is just a different way to express the complexity of existence. 

dc.relation.ispartof

Diaspore

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

None

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/6969-112-6/DSP-6-12

dc.identifier.issn

2610-8860

dc.identifier.eissn

2610-9387

dc.identifier.isbn

978-88-6969-113-3

dc.identifier.eisbn

978-88-6969-112-6

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Adolfo Bioy Casares

dc.subject

Julio Cortázar

dc.subject

 Mask

dc.subject

 Identity

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