The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Interlacing • Mainstreaming • English theatre • Honesto y entretenido sarao • Library • Quijote • Hypothetical and narrative discourse • La Galatea • Society • Quixote • Opera • Fiction • Metafiction • Orlando innamorato • Recreation • Carla Perugini • Spanish Court • José Manuel Lucía Megías • Comparative study • Fame • Spanish novel • Royal Court • Lie • Amplificatio of the enunciative system • Scipio • Ludeña • Narrative frame • Avellaneda • Novel • Corography • Italy • Entremeses • Lofraso • Classic • Love • La Mancha • Libretto • Orlando furioso • Clientelar relationship • Garcilaso • Voyage to Parnassus • Truth • Testament • Tríptico del carnaval • Melancholy • Show • Villaseñor • Cervantes • Erotic crimes • Cervantes theatre • Error • Music • Ortega Rosa • Theogenes • Authentication • Picaresque • El Toboso • Suicide • Conception of speech • Viaje del parnaso • Law • Dances • Jordi Gracia • Quijote II, 74 • Exemplary Novels • Contemporary theatre • Veridiction • Don Quixote • Poetry • Miguel de Cervantes • Philology • Antonio de la Peña • Novelas ejemplares • Narrative perspective • Madness • Romantic irony • Linguistic deformation • Parody • Rubric • Individual • Sergio Pitol • Poetics • Quintanar de la Orden • Entremés • Narratology • Spain • Theatre • Irony • Revival • History • Elegiac dystic • Anticipation • Judgment • Golden Age theatre • Body • Shakespeare • Grammar • Timbrio and Silerio • Reception • Individuality • Scrutiny • De senectute • Persiles • Tirante • Biography • Fielding • Don Quijote • Pride • Inserted poetry • Posthumous fame • Gender • María de Zayas • Intertextuality • Translation • Narrative transition formulas • Jorge García López • Galatea