El arte de la novela de Cervantes a Zayas

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DC Field	Value
dc.identifier	ECF_chapter_5644
dc.contributor.author	Özmen Emre
dc.title	El arte de la novela de Cervantes a Zayas
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	The claim of a Cervantes’ effect in Zayas’s narrative might be regarded as contradictory, especially considering the formal differences in their novelistic structure. At first, one might argue that the absence of a frame in Exemplary Novels places the novel in the opposite category to Honesto y entretenido sarao’s Boccaccian use of a frame tale. However, after a more detailed analysis, I will argue that these works are two sides of the same coin in their way of dealing with narrative problems. In Zayas, the interrelation between the frame story and inserted novels reveals a novelty. Zayas aligns with Cervantes in the rejection of the conventional use of narrative formula, although Zayas opts for the extreme opposite to the omission of the framework. Considering the Cervantine lesson about the internal ties of the novels, Zayas creates a structure where unity is established by the frame story.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.issued	2021-12-01
dc.dateAccepted	2021-06-09
dc.dateSubmitted	2021-02-08
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-580-3/el-arte-de-la-novela-de-cervantes-a-zayas/
dc.identifier.doi	10.30687/978-88-6969-579-7/013
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-580-3
dc.identifier.eisbn	978-88-6969-579-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Honesto y entretenido sarao
dc.subject	Honesto y entretenido sarao
dc.subject	María de Zayas
dc.subject	María de Zayas
dc.subject	Narrative frame
dc.subject	Narrative frame
dc.subject	Narratology
dc.subject	Narratology

Chapter
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El arte de la novela de Cervantes a Zayas

Emre Özmen Universidad de Córdoba, España

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abstract

The claim of a Cervantes’ effect in Zayas’s narrative might be regarded as contradictory, especially considering the formal differences in their novelistic structure. At first, one might argue that the absence of a frame in Exemplary Novels places the novel in the opposite category to Honesto y entretenido sarao’s Boccaccian use of a frame tale. However, after a more detailed analysis, I will argue that these works are two sides of the same coin in their way of dealing with narrative problems. In Zayas, the interrelation between the frame story and inserted novels reveals a novelty. Zayas aligns with Cervantes in the rejection of the conventional use of narrative formula, although Zayas opts for the extreme opposite to the omission of the framework. Considering the Cervantine lesson about the internal ties of the novels, Zayas creates a structure where unity is established by the frame story.

Published

Dec. 1, 2021

Accepted

June 9, 2021

Submitted

Feb. 8, 2021

Language

ISBN (PRINT)

978-88-6969-580-3

ISBN (EBOOK)

978-88-6969-579-7

Keywords: Cervantes • Narrative frame • Honesto y entretenido sarao • María de Zayas • Narratology

permalink: http://doi.org/10.30687/978-88-6969-579-7/013

Copyright: © 2021 Emre Özmen. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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