The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Hypothetical and narrative discourse • Individual • Classic • Corography • Society • Erotic crimes • Veridiction • Exemplary Novels • Entremés • Mainstreaming • Grammar • Honesto y entretenido sarao • Interlacing • Biography • Jorge García López • Cervantes theatre • Theatre • Judgment • Melancholy • Sergio Pitol • Body • Narratology • Novelas ejemplares • Narrative frame • Jordi Gracia • Timbrio and Silerio • Persiles • History • Ortega Rosa • Royal Court • Garcilaso • Dances • Individuality • Ludeña • José Manuel Lucía Megías • Music • Law • Orlando furioso • Theogenes • Scrutiny • Anticipation • Testament • Romantic irony • La Mancha • Entremeses • Fame • Tríptico del carnaval • Don Quijote • Contemporary theatre • Spanish Court • Antonio de la Peña • Opera • Quixote • Golden Age theatre • De senectute • Villaseñor • Inserted poetry • Show • Avellaneda • Suicide • Intertextuality • English theatre • Gender • Lofraso • Viaje del parnaso • Miguel de Cervantes • Recreation • Italy • Narrative transition formulas • Library • Comparative study • Voyage to Parnassus • Fiction • Elegiac dystic • Poetics • Lie • Quijote II, 74 • Cervantes • Narrative perspective • Amplificatio of the enunciative system • Linguistic deformation • Love • Orlando innamorato • Tirante • Shakespeare • Truth • Picaresque • El Toboso • Novel • Libretto • Philology • Quijote • Conception of speech • Don Quixote • Authentication • Error • La Galatea • Spanish novel • María de Zayas • Pride • Rubric • Parody • Irony • Scipio • Translation • Carla Perugini • Galatea • Poetry • Posthumous fame • Metafiction • Spain • Revival • Fielding • Clientelar relationship • Madness • Reception • Quintanar de la Orden