The Admiration of All Mankind
Selected Proceedings of the 14th International Colloquium of the Cervantists’ Association
edited by
abstract
In Cervantes’ The Lawyer of Glass there is a great praise of Venice, which is described as “the admiration of all mankind” because of its “infinite riches, her most wise government” and other values that makes it only similar to “the great Mexico”. With this invitation, this book collects the three key-note lectures and a selection of the presentations given at the 14th Coloquio Internacional de la Asociación de Cervantistas (2-4 October 2019), mostly about Cervantes’ theatre, reception and Italian relationships. At the same time, the volume pays tribute to Donatella Pini and Carlos Romero Muñoz, organisers of the classic series “Giornate cervantine”.
Testament • José Manuel Lucía Megías • Translation • Novel • Society • Comparative study • Individual • Hypothetical and narrative discourse • Irony • Orlando furioso • Fielding • Judgment • Madness • Poetics • English theatre • Quixote • Viaje del parnaso • Don Quixote • Royal Court • Inserted poetry • Poetry • Quintanar de la Orden • Golden Age theatre • Mainstreaming • La Mancha • Shakespeare • Ortega Rosa • Intertextuality • Narrative perspective • El Toboso • Erotic crimes • Fame • Elegiac dystic • Scrutiny • Dances • Corography • Tirante • Ludeña • Biography • Library • Galatea • Music • Orlando innamorato • Picaresque • Classic • Suicide • Exemplary Novels • Italy • Show • Authentication • Scipio • Melancholy • Pride • Opera • Quijote II, 74 • De senectute • Interlacing • Libretto • Avellaneda • Tríptico del carnaval • Honesto y entretenido sarao • Rubric • Narrative transition formulas • Clientelar relationship • Metafiction • Linguistic deformation • Narrative frame • Contemporary theatre • Grammar • Philology • Revival • Truth • Jordi Gracia • Amplificatio of the enunciative system • Persiles • Recreation • Veridiction • Jorge García López • Entremés • Theatre • Narratology • María de Zayas • Voyage to Parnassus • Conception of speech • Antonio de la Peña • Cervantes • Love • Entremeses • Spanish novel • Lie • Garcilaso • Posthumous fame • Anticipation • Miguel de Cervantes • Cervantes theatre • History • Sergio Pitol • Timbrio and Silerio • Villaseñor • Error • Gender • Spain • Spanish Court • Lofraso • Individuality • Theogenes • Fiction • Parody • La Galatea • Novelas ejemplares • Romantic irony • Body • Reception • Carla Perugini • Don Quijote • Law • Quijote