Journal |
Lagoonscapes
Monographic journal issue | 4 | 2 | 2024
Research Article | Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story
Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story
-
Robin Jiskoot
- University of Amsterdam, Netherlands -
email
orcid profile
- Robin Jiskoot - University of Amsterdam, Netherlands - email orcid profile
Abstract
This article analyzes the taxidermy exhibition Dead Animals with a Story located in the Natural History Museum of Rotterdam in order to discover the subversive potentiality of taxidermy. Through granting the taxidermy animals subjectivity, by recognizing human and non-human kinship, and by creating accountability towards animal suffering, Dead Animals with a Story sets the stage for the animals to be deemed grievable. This points to the potential of the exhibition to reshape pre-established social and cultural boundaries between the human and the animal, which becomes ever so important in a world marked by extinction and loss.
Submitted: June 23, 2024 | Accepted: July 27, 2024 | Published Dec. 6, 2024 | Language: en
Keywords Human-animal relationship • Taxidermy • Animal Studies • New taxidermy • Mourning
Copyright © 2024 Robin Jiskoot . This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/LGSP/2785-2709/2024/02/009
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“I Can’t Control It”: Lila Avilés’s Feature Films as Environmental Mourning
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Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story
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Robin Jiskoot
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Life, Death and Sustainability through Indigenous Literature
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Beyond Life and Death: Humanistic Care of Eco-Arts in China
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Xintian Liu
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- Editorial
- Peggy Karpouzou, Nikoleta Zampaki
- Dec. 6, 2024
- Existentialism and the Anthropocene: An Appraisal of Two Humanisms
- Rahul Pillai
- Dec. 6, 2024
-
Bataille’s Laughter: Comedy, Irony, or Wonder?
Examining Ecstasy as an Anthropocentric Limit - Rachel Holmes
- Dec. 6, 2024
- Slimy Fertility: Lagoons and Climate Change
- Simon Estok
- Dec. 6, 2024
- Blue Death Studies: Theorising the Water-Corpse Interface
- Jesse Peterson, Sarah Bezan, Kate Falconer
- Dec. 6, 2024
-
The Ongoing Grief of Boglands
Re-Interpreting Ecological Grief with Lessons in Sympoiesis and Wetland Ecology - Moss Berke
- Dec. 6, 2024
- The Price of Extinction and the Epic Journey to Mourn Beyond the Human in Ned Beauman’s Venomous Lumpsucker
- María Torres Romero
- Dec. 6, 2024
- Loss, Grief and Planetary Literacy in Informational Picturebooks for Children
- Rosy-Triantafyllia Angelaki
- Dec. 6, 2024
- “I Can’t Control It”: Lila Avilés’s Feature Films as Environmental Mourning
- Kevin Anzzolin
- Dec. 6, 2024
- Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story
- Robin Jiskoot
- Dec. 6, 2024
- Slow Violence, Sacrifice, and Survival: Environmental Catastrophe as (Eco)Feminist Freedom in Zora Neale Hurston’s Their Eyes Were Watching God
- Holly Nelson
- Dec. 6, 2024
- Seeing beyond the Anthropocene with Joyce and Beckett
- Michael Kane
- Dec. 6, 2024
- Narrative Agency and Storied Becomings in Cherie Dimaline’s The Marrow Thieves
- Andrea Ruthven
- Dec. 6, 2024
-
Life, Death and Sustainability through Indigenous Literature
An Ecocritical Study of Selected Works from Northeast India - Sayan Mazumder
- Dec. 6, 2024
- Beyond Life and Death: Humanistic Care of Eco-Arts in China
- Xintian Liu
- Dec. 6, 2024
DC Field
Value
dc.identifier
ECF_article_19478
dc.title
Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story
dc.contributor.author
Jiskoot Robin
dc.publisher
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type
Research Article
dc.language.iso
en
dc.identifier.uri
http://edizionicafoscari.it/en/edizioni4/riviste/the-venice-journal-of-environmental-humanities/2024/2/mourning-the-mounted-an-analysis-of-the-taxidermy/
dc.description.abstract
This article analyzes the taxidermy exhibition Dead Animals with a Story located in the Natural History Museum of Rotterdam in order to discover the subversive potentiality of taxidermy. Through granting the taxidermy animals subjectivity, by recognizing human and non-human kinship, and by creating accountability towards animal suffering, Dead Animals with a Story sets the stage for the animals to be deemed grievable. This points to the potential of the exhibition to reshape pre-established social and cultural boundaries between the human and the animal, which becomes ever so important in a world marked by extinction and loss.
dc.relation.ispartof
Lagoonscapes
dc.relation.ispartof
Ecologies of Life and Death in the Anthropocene
dc.issued
2024-12-06
dc.dateAccepted
2024-07-27
dc.dateSubmitted
2024-06-23
dc.identifier.issn
dc.identifier.eissn
2785-2709
dc.rights
Creative Commons Attribution 4.0 International Public License
dc.rights.uri
http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi
10.30687/LGSP/2785-2709/2024/02/009
dc.peer-review
yes
dc.subject
Animal Studies
dc.subject
Human-animal relationship
dc.subject
Mourning
dc.subject
New taxidermy
dc.subject
Taxidermy
Download data
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_19478 |
|
dc.title |
Mourning the Mounted: An Analysis of the Taxidermy Exhibition Dead Animals with a Story |
|
dc.contributor.author |
Jiskoot Robin |
|
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
|
dc.type |
Research Article |
|
dc.language.iso |
en |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/the-venice-journal-of-environmental-humanities/2024/2/mourning-the-mounted-an-analysis-of-the-taxidermy/ |
|
dc.description.abstract |
This article analyzes the taxidermy exhibition Dead Animals with a Story located in the Natural History Museum of Rotterdam in order to discover the subversive potentiality of taxidermy. Through granting the taxidermy animals subjectivity, by recognizing human and non-human kinship, and by creating accountability towards animal suffering, Dead Animals with a Story sets the stage for the animals to be deemed grievable. This points to the potential of the exhibition to reshape pre-established social and cultural boundaries between the human and the animal, which becomes ever so important in a world marked by extinction and loss. |
|
dc.relation.ispartof |
Lagoonscapes |
|
dc.relation.ispartof |
Ecologies of Life and Death in the Anthropocene |
|
dc.issued |
2024-12-06 |
|
dc.dateAccepted |
2024-07-27 |
|
dc.dateSubmitted |
2024-06-23 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2785-2709 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.30687/LGSP/2785-2709/2024/02/009 |
|
dc.peer-review |
yes |
|
dc.subject |
Animal Studies |
|
dc.subject |
Human-animal relationship |
|
dc.subject |
Mourning |
|
dc.subject |
New taxidermy |
|
dc.subject |
Taxidermy |
| Download data |