Journal |
Lagoonscapes
Monographic journal issue | 3 | 2 | 2023
Swimming Against the Tide
open access | peer reviewed-
edited by
- Natalie King - The University of Melbourne, Australia - email
- Francesca Tarocco - Università Ca’ Foscari Venezia, Italia - email
This issue of Lagoonscapes binds thinkers, scholars, artists, activists, policymakers and curators from Venice and the Pacific in a holistic way, in dialogue and with converging views and vantage points, discussing human/non-human relationships, cross-disciplinary dialogues and ancestral epistemologies. First-hand knowledge and experiences shift the perspective from rigid academic and institutional structures to personal ruminations on the injuries of colonisation. One of the aims of this special issue of Lagoonscapes is to decentralise and provincialise such ‘Man-as-human’ as the subject/object of inquiry, and thus counter and reframe established geographies, histories and temporalities.
Keywords La Biennale di Venezia • Pacific • Exhibition-making • Climate crisis • Experimental pedagogies • Hydro-theology • Materiality • Small islands ecologies • E Ho’omanu no Moananuiākea • Multimedia exhibition • Alvaro Urbano • The Great Journey • Sea • Archives • Pacific islands • Hydrocommons • Sustainability • Militarisation • New Guinea • Pan-Austro-Nesian • Tsunamis • Pacific studies • Climate Change • Contemporary art • Tidalectic curatorial practices • Climate action • Ecologies of care • Bottled Ocean • Venice • Documentary • Film Indigeounus • Paul Gaugin • Winnipeg Art Gallery • Oceania • First Nations • Indigenous • Project Banaba • Resistance • French Polynesia • Exhibition • Kaohsiung Museum of Fine Art Taiwan • Nuclear testing • Way-finding • Queer ecologies • Water beings • Peggy Guggenheim • Yuki Kihara • Jim Vivieaere • Community outreach • Paradise Camp • Etel Adnan • Infrastructure • Pātaka Art+Museum • Samoa • Faʻafafine • Cosmology • Exhibitions • Gender Studies • Gender • Melbourne Museum • Museums • Decolonisation • Curatorial activism • Hawai‘i Triennale The Pacific Century • Naadohbii: To Draw Water • Petrit Halilaj • Talanoa
Permalink http://doi.org/10.30687/LGSP/2785-2709/2023/02 | Published Dec. 22, 2023 | Language en
Copyright © Natalie King, Francesca Tarocco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
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Introduction
Swimming Against the Tide - Dec. 20, 2023
- Our Sea of Islands
- Dec. 22, 2023
- A Fish Out of Water?
- Dec. 20, 2023
- The Vārchive Revolution: The Imperative for Indigenous Truth-Telling and Redefining Heritage Preservation
- Dec. 20, 2023
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Nuclear Testing in French Polynesia: After Fifty Years of Lies and State Secrets
How to Calm Our Anger and Rebuild Ourselves - Dec. 20, 2023
- The Monstrous Sea
- Dec. 20, 2023
- The Oceanian Documentary Film: A New Form of Resistance
- Dec. 20, 2023
- Overlapping Methods and Values in Critical Pacific Approaches to Making Contemporary Art
- Dec. 20, 2023
- Peggy Guggenheim and the Pacific
- Dec. 20, 2023
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An Archipelago of Ecological Care
Venice, its Lagoon and Contemporary Art - Dec. 20, 2023
